Showing posts with label Solo Artist. Show all posts
Showing posts with label Solo Artist. Show all posts

Friday, January 12, 2024

Harmonizing Poetry with Chords: The Stark Contrast Journey in Songwriting

 


In the landscape of contemporary music, a new and compelling voice is emerging, known as "Stark Contrast." This pseudonym not only encapsulates the artist's unique style but also symbolizes a journey of transformation from a mocked poet to a confident musician. Stark Contrast's story is one of resilience, creativity, and an undying passion for music, which started at the tender age of 14.


The Birth of a Poet and the Emergence of a Songwriter


Stark Contrast's artistic journey began with poetry. At 14, while most teenagers were navigating the complexities of adolescence, Stark Contrast found solace and expression in poetry. However, this early venture into the arts was met with mockery from peers, a challenge that would shape the artist's future endeavors. The ridicule, instead of dampening the spirit, led to a significant realization: song lyrics were a form of poetry that garnered respect and appreciation. This epiphany marked the beginning of a lifelong commitment to songwriting.


First Strums and Melodic Beginnings


The transformative moment came with the acquisition of a guitar at 16. The very first day with the instrument sparked the creation of an original song. Despite being a novice, Stark Contrast's dedication and willingness to navigate through the unknown laid the foundation for a prolific songwriting career. Over the years, more than 500 songs were penned, each a testament to the artist's evolving skill and profound creativity.


Overcoming Reluctance and Embracing the Spotlight


For years, Stark Contrast wrestled with self-doubt and the fear of rejection, reminiscent of the days of being mocked for poetry. This internal struggle is akin to the character of the dad in "Back to the Future," pondering over the point of releasing creative work. However, a decisive turning point came, and Stark Contrast chose to overcome these fears, gearing up to release over 100 original songs in 2024.


Self-Production: A Skill Honed in Isolation


The COVID-19 pandemic, a period of global crisis, became a time of introspection and growth for Stark Contrast. It was during this time that the artist delved deep into music production, mastering the skills to independently manage all aspects of the music creation process. This self-sufficiency not only signifies artistic growth but also represents a full-circle moment from the days of writing poetry in solitude.


The Anticipation of a Musical Odyssey


As Stark Contrast prepares to unveil a treasure trove of songs, the music world awaits with anticipation. Each song is a narrative, a piece of the artist's soul, offering listeners a glimpse into a journey marked by resilience, creativity, and the transformative power of music. The release strategy, ambitious yet heartfelt, involves sharing two songs a week, making each release a moment of connection with the audience.


The Legacy of Stark Contrast: A Message of Hope and Artistry


The story of Stark Contrast is not just about music; it's about overcoming adversity, embracing one's true self, and the relentless pursuit of artistic expression. For aspiring artists and anyone facing self-doubt, Stark Contrast's journey is a beacon of inspiration. It teaches us that creativity, when pursued with passion and resilience, can lead to remarkable outcomes.


In conclusion, the emergence of Stark Contrast in the music scene is a narrative of transformation and self-acceptance. As the world prepares to experience the eclectic collection of songs, one thing is certain: Stark Contrast is not just a name but a symbol of the stark difference one can make by choosing to embrace their true artistic self.

Discovering the Songwriter Within


The pivotal moment came at 15, when for fun, Stark Contrast sang his poetry without any instrumentation. The positive feedback from friends on his demo recordings sent using a late '90s desktop computer mic was the spark that ignited his path to songwriting. Acquiring a guitar transformed his journey, allowing him to experiment with notes and melodies, evolving from instrumental pieces to lyrically rich songs.


Artistic Identity Shaped by Challenges

Despite being mocked for his poetry during his teenage years, Stark Contrast's love for punk and emo music, particularly bands like Sunny Day Real Estate and Dashboard Confessional, deeply influenced his writing. His status as neither popular nor unpopular in school, he says, didn't directly impact his writing but shaped his emotional landscape.


The Essence of Stark Contrast

His project, aptly named Stark Contrast, reflects his approach to songwriting - diverse, genre-defying, and emotionally nuanced. While his lyrics often lean towards the sadder side, they're crafted to be accessible and universal, allowing listeners to imprint their own experiences onto his words.


"Looking Up": A Debut Marked by Optimism

The first song he chose to release, "Looking Up," written in reaction to a friend's challenge for a happier song, marked a significant milestone. It represented a shift from simple demos to more polished, fully-realized tracks.


Impact of Music Production on Creativity

Learning music production has been transformative for Stark Contrast. The ability to immediately record ideas and experiment with arrangements using tools like the chord track in Studio One has revolutionized his songwriting process.


Overcoming the Challenge of Freshness in Songwriting

With over 500 songs written, maintaining originality has been a challenge. He overcame this by expanding his instrumental palette, incorporating piano and synthesizer options, and drawing on others' experiences for lyrical inspiration.


Balancing Creativity and Production

Efficiency is key in balancing the creative and production aspects, especially with a demanding release schedule. Recording vocals in blocks and mixing in quieter moments helps manage this balance.


Evolution of Musical Style

From a focus on live performance fidelity to embracing studio creativity, Stark Contrast's music has evolved significantly. His early work, centered on acoustic guitar and vocals, has now expanded to include a variety of genres and instruments.


Defining Success in Music Release

Success for Stark Contrast is about connecting with listeners he's never met and sharing his music with a broader audience. The joy of having unknown individuals enjoy his work is his primary motivation.


Staying Motivated and Overcoming Doubt

In a competitive field, he stays motivated by supporting fellow indie musicians and accepting his unique voice and style, while continuously improving his craft.


Memorable Songs and Collaborations

He shares stories of collaboration, like writing songs with Matt Austin from Days Away, and emphasizes the importance of letting listeners interpret his songs' meanings.


Advice to Young Artists

His advice to young artists is to embrace criticism for growth but to remain true to their unique voice and style. Recording every idea and being open to inspiration from various sources are crucial tips.


Engaging with the Audience

Building a community around his music is a new venture for Stark Contrast. He plans to network with other musicians and actively promote his music, including using business cards for a personal touch.


Message to the Younger Self

Looking back, he would advise his younger self to relax and not take life too seriously. Authenticity, he stresses, is key to finding one's place in the world, both as a person and an artist.

This reflective article captures the essence of Stark Contrast's journey from a teenager discovering his voice to a multifaceted songwriter and musician. His story is one of growth, resilience, and the continuous pursuit of creative expression.



Interview with Stark Contrast

What was the moment you realized that your passion for poetry could be channeled into songwriting?


When I was 15, I started singing some of my poetry without any instrumentation for fun. I didn’t realize I could sing until that point. I recorded demos with that terrible computer mic that came with all desktop computers in the late 90s and sent to a few friends. Their reaction was more positive than expected and that put me on the path to get a guitar.


Can you describe the emotions and thoughts that went through your mind when you wrote your first song?

My first song was instrumental and I didn’t know what I was doing yet and this was pre-youtube so I just kept trying different notes until it sounded right to me. At one point my Dad came upstairs and said something along the lines of “I can’t take you playing that same thing over and over you have to learn something else.” I then started writing my first song with lyrics probably 5 days in to having a guitar.



How did the experience of being mocked for your poetry shape your artistic identity and resilience?

I definitely would have described 16 year old me as a hopeless romantic. I have always been drawn to punk and emo music especially the early Sunny Day Real Estate, Mineral, Far stuff and then once Dashboard Confessional hit the scene I was extremely drawn to that sound. I was never extremely popular or extremely unpopular. I sat in sort of a status purgatory and that worked fine for me. I don’t know if being mocked directly influenced the writing beyond my general emotional sense of being that age and the music I was listening to.



What are the key themes or messages that you aim to convey through your music as "Stark Contrast"?

I was very happy and honestly shocked that the name Stark Contrast was available as I feel that it represents my writing well. Over the years I have tried to not be genre or style specific and jump all over the map. I tend to write lyrics that are on the sadder side but accessible and not overly specific to my experiences. I want folks to be able to listen and have their own thoughts and feelings on the words. I have made a conscious effort to write a few songs that skew on the happier side just because I am generally a pretty happy person in real life. I sometimes channel stories that folks have told me about their life experiences or something I see a character experience in a show or movie into lyrics as well.



Can you talk about the significance of the first song you will release and why you chose it?

My first song release was a song called “Looking Up.” I originally wrote it in 2009. My friend Mike had been heckling me (in a friendly way) that I don’t have any happy songs and this was written as a reaction to that discussion. Post college I moved to a new area and my first friend I met in the area I ended up doing a lot of recording with for fun. I worked with him back then to flesh this song out a bit and add drums and better sounding guitars. It was the first song I had worked on that felt more like a song than a quick 2 second demo to send to a couple of my friends. When I decided I wanted to start releasing music for real in 2024 I felt that it was a good place to start.



How has the process of learning music production impacted your approach to songwriting and creativity?

My answer to this is a resounding YES. My biggest struggle was I work very fast when it comes to writing and I always felt frustrated as I was dependent on others for different pieces of the recording process. I can go up to my recording space and immediately record any idea I have and then see if it works. Additionally, I use Studio One as my DAW and they have something that is called a chord track that is unbelievable and has completely changed how I now write songs. You can map out chords at the top of a track and then drag those down to midi tracks and it will write out a full bar of that chord. So then I can try different instrumentation playing the chords and/or change chords without ever having to pull out my guitar. This allows me to map out a song in tempo before I hit the record button. 



Are you thinking about licensing your music for synchronization?

If a party was interested in this I certainly would be as well. My immediate hope is to get ears. I am proud of the music I am creating and I think if folks were to give it a shot they would enjoy it. I am a huge fan of TV & Movies and hearing one of my songs pop up in one certainly would fulfill a dream of mine.


What challenges have you faced in keeping your songwriting fresh and original after writing over 500 songs?

I had a period of time where every one of my songs was just me and an acoustic guitar. I did feel like I got in a bit of a rut where all my songs sounded the same. I think being able to play piano a little bit opens up a lot of doors with the amount of synth and piano options that exist now as software instruments. I have always had a natural ability to write lyrics even from an improvisational standpoint. I used to have friends yell out words ala whose line is it anyway and I would make up a song on the spot. I think that a lot of songwriters feel that something has to be deeply personal to be good and I have found that pulling from others' experiences and emotions can be powerful as well. I do recommend for everyone to record EVERYTHING. If you have an idea, pull out your phone and record it. I have a folder with thousands of these and sometimes I don’t listen again for months but if I am lacking inspiration I occasionally find some gems in there. 



How do you plan to balance the creative and production aspects of your music, especially with such a frequent release schedule?

I try to find inefficiencies in any processes. For me the biggest schedule impactor is the recording of vocals. I can mix when my kids are sleeping. I can record electric guitar or piano parts when folks are sleeping. So what I have started doing is doing all the prep work, mapping out songs. Then set a block of time and record vocals on a bunch of songs at once. Then mix down, add other instrumentation and then do vocal comps of parts that need fixes or additional vocals. This has really worked for me. In terms of release schedule I decided in October of 2023 that I wanted to average releasing 2 songs a week in 2024 so I started planning then and getting a lot of songs to a decent state so that I could hit the ground running at the start of the year.



In what ways has your music evolved since you first started writing songs at 16?

I used to focus on my ability to perform a song live exactly as it was recorded and/or written. I learned over the years I get a lot more joy out of writing, recording and being creative than performing. My songs for years were just acoustic guitar and vocals and I try to mix it up and jump around genre wise and feel so some songs don’t even have guitar now which would be unheard of to 16 year old me.


What does success look like to you in this new phase of releasing your music?

To me success is having folks I don’t know listen to and enjoy the songs and to keep coming back and hearing more. The idea of someone I’ve never met or talked to listening to one of my songs brings a big smile to my face. To me that is what it is all about. 


How do you manage to stay motivated and overcome self-doubt, especially in a field as competitive as music?

I root for all my other indie musicians. I get joy out of sharing others' music and hope that folks listen! As I get older my confidence has grown that I know what I am doing writing/recording/mixing etc. My self doubt really comes into play as it relates to other musicians that I listen to and respect. I just want to be accepted and feel like they think I am a musician and not just a guy that makes music in his house. A lot of this is in my head as everyone is welcoming and talks respectfully but definitely feel impostor syndrome at times when sharing songs with fellow artists.


Can you share a particularly memorable or impactful song you've written and the story behind it?

There are a few for sure. I tend to let songs be interpreted by listeners and not give them direct meanings. So there are a few that are most impactful that I am not going to get into (but happily would offline). Growing up my one group of friends had a band called “Days Away” who made it quasi big. They were touring the country for years. If you have never checked out their album “Mapping an Invisible World” it is a must! The singer of the band and drummer went on to form “Good Old War” and saw good success as well. The lead guitarist of Days Away (Matt Austin) and I wrote 50 songs together over the past few years. We released two under the name Two One Five and plan to release more in the future. I definitely put my heart and soul into the lyrics for those songs because I have so much respect for Matt as a guitarist and I was thrilled to be working with him. We have two songs that aren’t released called Remedy and The Weight and both have some of my favorite lyrics I have written. Both explore the idea of blame and my/our ability to move on in life from tough situations and thoughts. One of the songs we did release called Puzzle has a line that has sort of changed meaning to me a good bit since writing it but has really stuck with me “I have never envisioned being here, but the how is irrelevant now.”



What advice would you give to young artists who are hesitant to share their art due to fear of criticism?

Embrace criticism, it is helpful. If you only share music with folks you know will say it is good you will never grow. Sometimes it can be hard to hear that your voice sounds bad in a part of a song or that a song is boring because there isn’t enough variation in it. However, that will lead to you working on your flaws. However, don't let one person’s opinion change your work or your feelings on it. You are allowed to have a unique voice and make the music you want to. I have a tendency to enunciate words a little strangely here and there. Not to the level of someone like Tom DeLonge but over the years I have had multiple people tell me things like “why did you sing a word this way” and that is a case where I have learned that I am just going to do what comes natural for me and not force myself to change. Nothing wrong with beating your own drum. I like to say find out what works for you, but never stop finding out what works for you.



How do you plan to engage with your audience and build a community around your music?


This is definitely new for me. I have been writing and recording for so long and sharing with my friends but actually releasing songs and promoting is new. As I mentioned earlier, having friends listen is great but having people I don’t know listen is a really exciting prospect for me. I have been working to build a network of other musicians that I enjoy and respect and that has been encouraging. As the year goes on and I have more and more songs available I plan to really actively tell people about it. I recently created business cards (They haven’t arrived yet) that I am going to hand out to people randomly when I meet them. It is old school and something physical that folks might look at later after they forgot about saying they said they would check out some songs. Here is what that looks like:





Looking back at your journey, what would you say to your 14-year-old self who was just starting to write poetry?

First of all, I would say, DUDE RELAX. Not everything has to be so serious. So much of life is stressful and you don’t need to invent reasons to be in your head. Also, the best way to belong is to not try to belong. Be your authentic self. Find your people. If someone doesn’t like you as a person, artist whatever that is ok. Also using a rhyming dictionary isn’t cheating, everyone does it, that’s why they exist haha. Use the tools that are out there because everyone else is. 


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Wednesday, January 3, 2024

Exploring the Melodic Journey of Salme Dahlstrom: From Bedroom Studio to Music Licensing Royalty


 

Introduction

Salme Dahlstrom, a dynamic figure in the contemporary music scene, has earned the title of 'music licensing queen' from The Wall Street Journal. Her journey from a passionate musician to a prominent figure in music licensing is a story of resilience, innovation, and artistic evolution. This article delves into Dahlstrom's career, her musical influences, her creative process, and the impact of her work in the music industry.


Career Journey and Influences

Dahlstrom's musical journey echoes the experiences of many artists, beginning with songwriting, band formation, and live performances. The collapse of the major label system in the early 2000s became a turning point in her career. It led her to explore music licensing, culminating in the creation of “The Acid Cowgirl Audio Trade.” This album's eclectic mix of sounds and styles caught the attention of music licensing agents and catapulted her into success, with her tracks being featured in advertisements for major brands. Dahlstrom’s style, influenced by Swedish pop, 80s metal, and icons like Cher, combines diverse genres into a unique electronic pop sound.


Creative Process

Dahlstrom’s creative mantra revolves around the power of hooks. Her process involves creating multi-layered hooks with a blend of funkiness and unpredictability. As a self-sufficient artist, she handles most production aspects, from programming to mixing, which, while time-consuming, allows her full creative control over her work. This approach has led to the creation of catchy, commercially appealing tracks.


Success Stories

The success of Dahlstrom's track 'C’mon Y’All' is a testament to her ability to connect with a wide audience. Her music's inclusion in major ad campaigns and on the Billboard Dance Chart highlights the commercial and artistic appeal of her work. Dahlstrom’s experience in custom music production for clients presents unique challenges but also opportunities for creative interpretation and innovation.


Collaborations and Projects

Dahlstrom values collaboration, especially with vocalists, as it brings new dimensions to her music. Her project 'The Hit House Featuring Salme Dahlstrom' showcases this, featuring a diverse range of vocal talents. She acknowledges the unique challenges and rewards of working with children and animals, indicating a versatile approach to music production.


Personal Insights and Inspirations

Outside of music, Dahlstrom draws inspiration from her love for Cher and the New York Rangers hockey team. These passions influence her music and public persona, contributing to a fun, outgoing, and resilient image. Her belief in the fun-loving nature of blondes is reflected in her music's energetic and uplifting spirit.


Future Plans

With new music slated for 2024, Dahlstrom plans to continue evolving her style, integrating new sounds like the sitar into dance tracks. Her commitment to staying ahead of the curve in the constantly evolving music industry involves exploring new genres and technologies.


Latest Album "Fabulous"

Dahlstrom's latest album, 'Fabulous', has been well-received, marking her foray into electro swing with a dance floor vibe. This album reflects her artistic vision, blending swing-era sounds with modern electronic music. The album's standout track, 'Guilty As A Girl Can Be', resonates with listeners due to its catchy swing loop and fun melody, influenced by 80s pop icons.


Impact and Reception

The positive reception of 'Fabulous' and 'Guilty As A Girl Can Be' has influenced Dahlstrom's perspective on her music and career. She intends to delve deeper into electro-swing, capitalizing on its growing popularity. While no immediate plans for music videos exist, she is open to the idea and exploring touring options to promote her album.


Reflections and Future Directions

Reflecting on her journey, Dahlstrom emphasizes her commitment to trying new things and not being confined to a specific genre. Her future in music is open-ended, with plans to explore diverse styles and themes, driven by curiosity and a passion for innovation.


Conclusion

Salme Dahlstrom's journey in the music industry highlights the importance of adaptability, creativity, and resilience. From navigating the challenges of a changing industry to embracing the world of music licensing, her story is an inspiring example of artistic evolution and success.



Career Journey and Influences:


You've been dubbed the 'music licensing queen' by The Wall Street Journal. Could you share more about your journey in the music industry and how you developed your unique approach to music licensing?



I started out like lots of musicians do; I wrote songs, put together bands and played live, signed management and publishing deals, got shopped around to the record labels, signed a few record deals, recorded and toured. Then when the entire major label system collapsed in the early 2000s, I was left a little lost; I had put together a small studio in my apartment in The East Village in New York City and Indecided at that time to record some music just for me, letting go of trying to fit into a certain genre or format but instead doing whatever sounded good. I borrowed and stole ideas and sounds from all over the musical spectrum. The result was “The Acid Cowgirl Audio Trade”. I posted some songs on the internet; I think the sites that were popular at the time were mp3.com and Garageband and one day I got a call from a music licensing agent. He said my sound was a perfect fit for tv ads and movies etc. and there was money to be made here. At that time the only thing I knew about music licensing was big artists like Madonna doing Pepsi ads but I thought “What do I have to lose?” and so we started working together and shortly thereafter he had placed one of my songs in a tv show. And that was just the beginning. Soon enough ad agencies discovered my album and my songs landed in tv commercials for brands such as Suave, CoverGirl and Suzuki. Every song off of “The Acid Cowgirl…” got licensed and The Wall Street Journal took notice and crowned me Licensing Queen.

It was not how I thought my music career would develop but here I am 15+ years later still an artist making albums and licensing music and producing custom music for ad agencies and music libraries and making a good living at it. It’s a good life.

Who were your major musical influences growing up, and how have they shaped your style as the 'electronic pop goddess' you're known for today?

I grew up on Swedish pop, 80s metal, and Cher. Sweden is known for their strong pop sense and growing up there I was surrounded by great pop songs and songwriters.

Combine that with the stadium-sized sound and bombastic nature of 80s metal and you pretty much have my sound. The electronic aspect came later when I got into programming, playing with samples and beats. The Prodigy and Fatboy Slim were big electronic music influences for me. And then there’s Cher – I saw her on TV and thought she was coolness and star power personified. When I started developing my artist persona she was a strong influence along with Paul Stanley of KISS and Prince.

 

Creative Process:

Your music is known for being funky, hooky, and fun. Can you walk us through your creative process for composing a track that's both catchy and commercially appealing?"


You can never have too many hooks in a song, that’s my motto. It comes naturally to me going back to growing up in Sweden where you’d find hooky melodies in every song regardless of genre. When I produce a song I am thinking hooks all the way, all the instruments working together with the vocals to create multiple hooks throughout the song. In addition, I like music that is funky, a little unpredictable and fun to listen to. So that’s what I aim for with every song that I make. Sometimes I make a track first and then write the melody and lyrics, other times I’ll have written the hook or some piece of the song and I build a track around that. It all depends. I always set out to write not just a song but a hit. It takes the same amount of time so why not aim for the big one every time.


You mentioned loving the control that comes from being self-contained in your music production. How does playing multiple roles (producer, instrumentalist, singer, etc.) impact your creative process?

It makes it a very slow process   – Doing most everything myself - I program, play most of the instruments, sing, write, produce and mix my tracks – it is time-consuming but I love when it all comes together and I am sitting with the final mix. It’s very fulfilling to know “I made that!”.


Success Stories:

Your track 'C’mon Y’All' not only climbed the Billboard Dance Chart but also featured in major ad campaigns. What was it like seeing your music gain such widespread recognition?

It was a wild ride, it’s a high you want to achieve over and over again. It gave me confirmation that the music I was dreaming up in my bedroom studio in NYC was good and that people could relate and connect to it. It’s an absolutely awesome feeling to know that a kid in Ohio or Tokyo or London is listening to my song and feeling it. And the “C’mon Y’All” ride is far from over, just the other day I got another request to license it for an ad campaign.










Can you share a memorable story from working on a particularly successful or challenging music licensing deal?

The most challenging jobs are doing custom work. My job then is to create something very specific that the client (usually ad agencies) wants and not necessarily what I think works best or what I like. They hired me because they like my sound and style but there’s plenty of room for different likes and opinions and that can at times get challenging. How do you interpret “We’d like it more lemony”  .

 

A fun project I worked on was the remake of the famous (or for some people infamous) “Wanta Fanta” song. A few years ago Fanta was launching a mango-flavored Fanta and wanted me to re-imagine the original track with modified lyrics to feature the new product. I worked with my friend and pop singer extraordinaire Amber Skyes on the project. Emersing ourselves completely in “The Fantanas” wild girls image we killed it. The ad ran for a few years and “The Fantanas” were once again alive and kicking ass.


Collaborations and Projects:


Your release, 'The Hit House Featuring Salme Dahlstrom,' involves collaborations with several vocalists. How do you choose collaborators, and what do you look for in a collaborative partner?


I love it whenever I get the chance to collaborate with other musicians especially vocalists. The vocals are such an important part of any production and every voice is unique. So having the opportunity to work with vocalists who sound vastly different from me adds a dimension to my music I couldn’t otherwise create. Anyone who can bring something to the table that I can’t do myself I love collaborating with. They have to be great at it of course, that goes without saying. In regards to The Hit House release that was something me and the label discussed and agreed upon early in the process, we both wanted a lot of different voices on the album. That album features gospel, r’n b, pop and rap vocals as well as kids.


You've worked with children and animals for your recent project. What unique challenges and rewards came from these experiences?

Let's just say I am not gunning to do it again anytime soon


Personal Insights and Inspirations:


You've mentioned your love for #cher and #nyrangers hockey. How do these passions outside of music influence your work?

I use Cher as a reminder that I can do whatever I want at whatever age. Hockey and specifically watching The Rangers play brings me enormous joy. It’s a magic pill to keep me centered and happy. The fighting and sight if blood is just a bonus.


As someone who believes 'blondes have more fun,' how do you incorporate your personal ethos into your music and public persona?

Part of me is very fun and outgoing and loves socializing so it comes naturally to me to incorporate that into my music and by extension my public persona. The bands that I grew up listening to (i.e. KISS) had that positive vibe to their songs. Their music was an escape from the day to day, a fantasy world where you had fun, you were a winner and your persona was larger than life.

 

 

Future Plans:


With new music coming in 2024, what can your fans expect in terms of evolution in your music style or any new ventures you're exploring?

I say “always stay curious”; listen to new music, explore new audio plugins, new genres or really just music you haven’t listened to before. The other day I came a cross an artist on the internet who played sitar to dance tracks and I loved the combo. Now I’m exploring incorporating that sound into a few tracks on the new album. The new album is a little heavier at times than my previous ones, musically heavier. Lyric wise it’s more personal. So far I am very happy with what I’ve written.


About the Latest Album "Fabulous":


Your latest album 'Fabulous' has been making waves. What inspired the title, and how does this album reflect your current artistic vision?

I have always loved electro-swing, the mix of the swing era sounds with modern electronic just has it all in my book – it’s sexy, tongue in cheek, and uplifting with a great pop feel on top of a driving dance beat. “Fabulous” is the title of one of the songs on the album. Honestly, the title was the record label’s idea. I wanted to call it  ”Saints and Swingers”, maybe next time…



In creating 'Fabulous,' were there any new musical styles or techniques you experimented with that differed from your previous work?

Producing “Fabulous” was the first time I did electro-swing with that straight forward dance floor vibe. My earlier electro-swing productions had more of a funky break beat feel to them. So this was something new for me. I played a lot with the FX plugin in Logic X to get that DJ filter efx as well as the chopped up/repeater vocal efx to compliment the dance club production.


The success of 'Guilty As A Girl Can Be':


Your song 'Guilty As A Girl Can Be' has become the most listened-to track from your repertoire. What do you think resonates most with listeners in this song?

Could you discuss the creative process and inspiration behind 'Guilty As A Girl Can Be'? 

Given the success of 'Guilty As A Girl Can Be,' how do you feel it represents you as an artist and your evolution in the music industry?


I’m gonna bundle these questions into one answer as “Guilty As A Girl Can Be” is my favorite song off of “Fabulous”. First off I think the track came out really solid – it’s got that catchy swing loop and when you add the fun melody on top of it it just pops. I had been listening to Bananarama and 80s Madonna right before I started working on “Guilty…” and you can hear some of those influences throughout the track and the writing. The ”wow” scream is me emulating the “wow” in “Venus” and the lyrics and delivery has the carefree, fun swagger of 80’s pop. I got the idea for the piano solo from Madonna’s live shows from the 80’, her live version of “Get Into The Groove” has an added funky piano solo and I always thought that was spectacular.

I am thrilled that “Guilty…” has gotten the amount of airplay and streams it has, it has made radio playlists all over the world and I wouldn’t be surprised if we heard it in some tv ads in the near future. I am super proud of that song and I think it represents my image very well with its positive, catchy fun attitude while showing diversity sound wise.


Impact and Reception:


Are there any surprising reactions or feedback from fans regarding the album or the song that stood out to you?

The feedback to the “Fabulous” album has been overwhelmingly positive from both critics and fans. I think fans can appreciate that it’s something new but still sounds like me, just with a twist. I found that electro swing has a huge following and those fans are truly passionate about the genre. I definitely want to produce more electro swing. I have a concept already lined up.

 

Future Performances and Promotions:


Do you have any plans for touring or live performances to promote 'Fabulous'?

I’d definitely love to and I am looking into it. Maybe do a tour of those old-time theaters or burlesque theaters to take that Swing era vibe all the way. Hopefully we can make it happen, I’ll keep you posted.


With the acclaim of 'Guilty As A Girl Can Be,' can fans expect any music videos or special performances of this track?

No video plans as of right now but you never know. It’s a great idea…

 

Reflections and Future Directions:


Looking back at your journey up to 'Fabulous,' how do you feel your music has evolved over the years?

I have always tried to try new things with each album and to avoid getting stuck in my genre, whatever that is. Some hits and some misses but it’s a way to keep it interesting for me as well as my audience to not expect the same album over and over again. I am working on a new album right now and I have dug into some really diverse stuff, from 90’s drum and bass to sitar music and more.


What direction do you see your music taking in the future, and are there any new themes or styles you're eager to explore?

I am going to stay curious and open-minded and let the music take me wherever it decides to go. Thanks to everybody who’s been listening and buying my music all these years. Let’s keep the party going!  


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