Harmony and Heart: The Soulful Americana Journey of The Vintage Yell

 

In the heart of North Texas, amidst the vast landscapes and the unmistakable vibe of a region steeped in musical heritage, emerges The Vintage Yell. This duo, composed of Chris Raspante and Jesse Spradlin, brings to the stage a sound that is profoundly described as soulful Americana, yet their music transcends this label, diving into depths that resonate with the core of American roots music. Their story is one of serendipitous partnership, musical chemistry, and a shared vision that has seen them rise through the ranks of the Texas music scene.

Chris and Jesse's journey began in the confines of a recording studio, where Jesse was laying down tracks for her solo material. It was there that their paths crossed, and the connection was instantaneous. The synergy between Chris's seasoned musicianship and Jesse's raw, emotive songwriting sparked a collaboration that soon evolved into something much larger than they had anticipated. Recognizing the magic of their combined talents, they made the decision to unite their artistic endeavors, thus birthing The Vintage Yell.

Their sound, while anchored in the rich traditions of Americana, is infused with a soulfulness that sets them apart. It's a blend that pays homage to the genre's roots while infusing it with a modern sensibility that appeals to a broad audience. This unique sound caught the attention of Mesquite Street Records, leading to their recent signing, a milestone that marks the beginning of a promising new chapter in their career.

The Vintage Yell has had the privilege of sharing stages with some of Texas's most celebrated bands, including Kin Faux and Whiskey Myers. These experiences have not only provided them with invaluable exposure but have also allowed them to hone their live performances, captivating audiences with their compelling vocals, storytelling, and musicianship.

Jesse Spradlin, with her Virginia origins and Texas upbringing, brings to the duo a rich musical lineage. Coming from a family where music runs deep—her father is a blues Hall of Famer—Jesse's artistry is imbued with authenticity and passion. Her voice, a blend of strength and vulnerability, carries the stories of her songs with an emotive force that is truly captivating.

Chris Raspante's journey in music is equally impressive. A native Texan, Chris ventured to Nashville, where he spent nearly two decades playing and recording with a plethora of artists. His resume boasts performances on the Tonight Show, the Grand Ol’ Opry, and numerous other prestigious venues. His return to Texas and partnership with Jesse in The Vintage Yell feels like a homecoming, one where his experiences and skills find a perfect outlet.

Together, Chris and Jesse form a duo that is much more than the sum of its parts. Their harmonies are seamless, their songwriting profound, and their performances are imbued with a warmth and authenticity that is the hallmark of great Americana music. The Vintage Yell is not just a band; it's a celebration of roots, a journey through the heart of American music, and a testament to the power of collaboration. As they continue to write, record, and perform, their story is one that resonates with anyone who believes in the timeless appeal of music to connect, heal, and inspire.

The Vintage Yell, formed by Chris Raspante and Jesse Spradlin, is a North Texas duo whose music transcends the boundaries of soulful Americana, enriched by their unique backgrounds and experiences. Jesse's early musical influences stem from her father, a Blues Hall of Famer, whose guitar practices laid the foundation for her artistic development. She was encouraged to be original while learning from the best. Chris's two-decade experience in Nashville profoundly shaped his musical style and work ethic, bringing a diverse influence of country, bluegrass, and Americana to the band.

Their decision to form The Vintage Yell was driven by a mutual desire for creative collaboration, recognized through their harmonious work on Jesse's solo material. Their sound incorporates elements of blues, rock, and singer-songwriter genres, offering a distinct take on traditional Americana. Their songwriting process involves both individual and collaborative efforts, creating a unified sound that reflects their combined musical strengths.

Signing with Mesquite Street Records has significantly impacted their career, providing opportunities for growth and exposure. Live performances, particularly opening for bands like Kin Faux and Whiskey Myers, have been key milestones. Their upcoming releases, including two EPs, are highly anticipated by fans, promising a mix of vinyl, CD, and digital formats.

Chris and Jesse also offer advice to aspiring musicians, emphasizing the importance of love for music, hard work, continuous writing, and building community within the music scene. "Wrong Direction," their new single, signifies a musical introduction inviting fans on their journey. Despite early challenges, their dedication and work ethic have been crucial to their success, marking memorable experiences and laying the groundwork for a promising future in the Americana music scene.

The Vintage Yell Socials

https://www.thevintageyell.com/

https://www.facebook.com/thevintageyell

https://www.instagram.com/thevintageyell

Interview with The Vintage Yell

Musical Beginnings: Jesse, how did growing up in a household with a father in the Blues Hall of Fame shape your early musical experiences and artistic development?

a. When I was little, my four siblings and I would often fall asleep to the sound of my dad practicing licks on his strat, hooked to a little practice amp – but it sounded huge to us. As I got interested in guitar later on, he encouraged me to glean from the best of the best, but more importantly to always find a way to be original.

Nashville Influence: Chris, can you describe specific ways in which your two-decade Nashville experience has influenced your musical style and your role in The VintageYell?

a. It influenced me in all kinds of ways. From upping my game as a musician, to strengthening my work ethic. Musically, I had not been around as much country/bluegrass/americana music, until I moved there. It’s definitely helped me as a musician and my role in The Vintage Yell.

Band Formation: What were the key factors or moments that led you both to transition from working on Jesse's solo material to forming The Vintage Yell?

a. Chris: I was definitely ready for a change from what I have been doing recently. I wanted to get back into being more creative, writing songs, and working with someone else who felt the same as I did. After working with Jesse on her solo material in the studio, I knew that she was that person.

b. Jesse: For me, growing up in a musical family, I recognized what it was like to have musical chemistry with someone and that was definitely there with Chris. We worked so well together in the studio, both creatively and personality-wise, that I was more than excited for us to join forces and become The Vintage Yell.

Sound Definition: Your music is described as 'soulful Americana but much deeper.' Can you explain the deeper elements that make your sound distinctive?

a. We do consider ourselves an Americana band, but our music has elements of blues, rock and even singer-songwriter aspects that color outside the lines of traditional Americana.

Songwriting Collaboration: How do you blend your unique styles during the songwriting process to create a unified sound for The Vintage Yell?

a. We write both individually and together. When writing separately, we’ll pitch each other songs that would fit the band. When we co-write, our different strengths and approaches complement each other, leaving us with something really cool in the end.

Mesquite Street Records Experience: How has signing with Mesquite Street Records changed your career trajectory and what new opportunities has it brought for the band?

a. We were very flattered and fortunate that Mesquite Street approached us after a show wanting to work with us. It’s been a blessing to have a label that strongly believes in our music and wants to help us achieve our goals.

Live Performance Highlights: Reflecting on your live performances, especially opening for bands like Kin Faux and Whiskey Myers, what are some standout moments?

a. Chris: We’ve been fortunate to have a lot of great shows, but the show that ended up landing us a record deal still stands out to me. It was a great night, one of our first headlining shows and the crowd was really with us from start to finish.

Inspiration Behind "Wrong Direction": Can you delve into the inspiration and the creative journey behind your new single "Wrong Direction"?

a. I wrote the song a long time ago, about being on a certain path, but realizing that it’s not a healthy one to be on. The creative journey became how to take an older song that originally was just mine, and turn it into a band song. I give credit to Jesse for pushing to resurrect it, and turn it into our song.

Future Outlook: With an upcoming debut album preceded by singles and an EP, what can your fans look forward to in the next year from The Vintage Yell?

a. Actually, we will be releasing two EPs this year! Fans can look forward to getting those two EPs on vinyl & CD this fall as well as streaming them digitally!

Advice for Aspiring Musicians: What guidance would you offer to new musicians aiming to make an impact in the Americana music scene?

a. Chris: My advice would be to musicians in general, which is to do it because you absolutely love it and then, be prepared to work harder and longer than you ever  have at anything else.

b. Jesse: I would say two things: 

1. Write all the time, even when you don’t feel like it.

2. Try to find community in the scene. Make friends, network, feed off each other creatively, ask for feedback, go to other peoples’ shows and support. Half of this business is who you know.

Story Behind "Wrong Direction": What personal or artistic significance does "Wrong Direction" hold for The Vintage Yell?

a. For us, “Wrong Direction” is more of a musical introduction that will hopefully inspire our fans to take this journey with us.

Songwriting Insights: Could you walk us through a typical session of crafting a new song? Where do you usually start and how does it evolve?

a. Every song and session is different. Like many artists, we just sit down with two acoustic guitars, start talking and see where it takes us.

Overcoming Early Challenges: As a newly formed band, what were some significant challenges you faced and how did you address them?

a. I think it’s what every new band probably goes through, just trying to introduce yourself to the world and find your audience. This year we hope to find that audience by releasing our upcoming EPs, playing great shows and possibly hitting the road for a tour.

Work Ethic in Music: From your experience, how crucial is work ethic in the music industry, and how has it contributed to your success?

a. Work ethic is everything. Having good songs and a good band is only the beginning. To be successful, you have to be prepared to work every single day, and a lot of that work is off-stage.

Memorable Band Moments: So far, what has been the most unforgettable experience for you as members of The Vintage Yell?

a. We have a few! Some of our favorites are the little moments, like stories told in the car on the way to a show or when we crack a joke to each other in between songs. But as for big moments, signing our record deal, making our first music video, and seeing our very first single appear on Spotify are definitely top contenders

Nathalie Miranda: The UK's Daring Musical Trailblazer

 

London's very own Nathalie Miranda is a musical force to be reckoned with. With a collection of over six genre-defying singles, this dynamic pop star brings an extraordinary blend of soul, blues, and classic rock to the forefront of high-energy retro pop. Her performances are nothing short of electrifying; Nathalie not only showcases a stellar octave range but also performs with a passion that is both raw and captivating, ensuring she leaves everything on the stage.

Miranda draws inspiration from a rich tapestry of musical legends including Freddie Mercury, Prince, Madonna, Tina Turner, Christina Aguilera, and Whitney Houston. These influences, combined with the musical heritage of her Greek-Cypriot roots, infuse her sound with powerful belts and playful lyrics, making her distinctive style even more captivating.

2023 marks a significant year in Nathalie's ascending career, with her smash hits ‘Catch-22’ and ‘Soul on Fire’ amassing 250,000 Spotify streams each and over 200,000 YouTube views combined. Her shimmering vocals and unique artistry have established her as the UK's formidable response to the US's iconic divas. Nathalie's talents have been recognized in high-profile features including Wonderland Magazine and Rolling Stone India. Her live performances boast appearances on BBC’s ‘Later… with Jools Holland’ as a backing vocalist and gigs at iconic London venues like The Troubadour.

Born in London to Greek-Cypriot parents, Nathalie is a fluent Greek speaker and takes immense pride in her heritage, which she skillfully weaves into her music. Her 2022 single ‘????a S?µ?d?a (1000 Scars)’ is a testament to this, embracing a classic Greek folk rhythm called Zeibekiko, and produced by renowned Greek producer Harry K.

Beyond her solo career, Nathalie Miranda has been a prolific figure in the dance and house music scene since 2017, lending her 90s diva vocals to collaborations with international producers. Her versatile artistry defies creative boundaries, showcasing her ability to innovate and adapt across genres. Her early classical piano studies laid the groundwork for her songwriting prowess, a skill further unlocked by an impromptu hotel karaoke performance during a family holiday.

Nathalie Miranda's sound is continually evolving, brimming with passion, heart, and the spirit of her Greek-Cypriot roots. As she continues to captivate audiences with her powerhouse performances and innovative music, Nathalie Miranda is a name to watch in the music industry. Follow her journey for updates and new music that promises to inspire and electrify.

Miranda's tribute to the 1980s, "Is This Love," showcases her passion for the era, known for corded telephones and a social life that didn't rely on computers. The song, initially penned in 2015 and later reworked for its release, captures the essence of being young and carefree. The music video, which was shot partly in Miranda's bedroom transformed into an '80s dream and at Ballie Ballerson's in London, radiates fun, love, happiness, and nostalgia. She credits her team, including co-writer/producer Simon Cookson and director/video editor David Brant, for bringing her vision to life​​.

Additionally, Nathalie Miranda collaborated with Will-Powerz on the track "Good Day," a project that came to fruition after Will-Powerz was captivated by her soulful voice in live performance videos on YouTube. The song speaks to the hope of living life freely and coming together, with Miranda lending her voice to express these sentiments. This collaboration further solidifies her standing in the North London music scene, where she continues to perform and release solo songs​​.

Interview Summary

Nathalie Miranda, an independent artist with a diverse musical influence, has announced plans to release two to three singles with a 70s, groovy feel for the rest of the year. She finds motivation in her passion for music and the support of her small but dedicated fanbase, despite the pressures of social media and the evolving music industry. Miranda enjoys experimenting across genres, reflecting her varied inspirations, including 70s rock, and evolving her image alongside her sound.

Her hits 'Catch-22' and 'Soul on Fire' were created under different circumstances: 'Catch-22' during lockdown, connecting deeply with fans, and 'Soul on Fire' in collaboration with dance producer Babert, showcasing her versatility. Influenced by iconic artists like Prince and Freddie Mercury, Miranda's music is also shaped by her Greek-Cypriot roots, especially evident in songs like ‘Χίλια Σημάδια (1000 Scars)’.

Collaborating with international producers on dance and house tracks has been rewarding, offering her opportunities to contribute her unique flair. Miranda's vocal talents were discovered at a hotel karaoke night, marking the start of her journey in music. She discusses the double-edged sword of the digital age for musicians, recognizing the benefits of social media for independent artists while lamenting the loss of mystique and the pressure to generate content over music.

Miranda openly addresses ageism in the industry, advocating for perseverance and authenticity regardless of age. She considers her performance with the band 'James' on 'Later with Jools' as a significant career milestone and highlights her classical piano background as foundational to her songwriting and musical understanding. Miranda emphasizes the importance of staying true to oneself and being authentic in navigating the music industry's challenges and opportunities.

Interview with Nathalie Miranda

 

Can you tell us about any upcoming releases you have planned for the near future?

 

I have two to three singles planned for the rest of the year. I just released a cover track a few weeks ago, but ultimately, I prefer releasing my own music. The new tracks will have more of a 70s, groovy feel to them.

 

What inspires you to keep creating music, and how do you stay motivated in this ever-evolving industry?

 

You know, I think that it’s harder than ever these days to stay motivated. There is so much pressure coming from every direction, particularly with regard to social media, and I feel that it can detract from the art of actually making music. Personally, I use that determination within me to prove a whole bunch of people wrong haha! No, but really, I love making music and I’m lucky enough to have a small but incredibly supportive fanbase that keeps me motivated to be the best artist I can be, for myself and for them.

 

With a career that spans various genres, how do you decide on the direction for your new music?

 

Well, thank you for noticing! I love music, and I’m inspired by so many genres and styles. As an independent artist, I have the privilege of being 100% in control of my output, image etc, and so I’m taking advantage of this by experimenting with all the genres that have inspired me. For example, my song ‘Battle Scars’ was inspired by 70s rock, but I’m by no means a rock vocalist; I just wanted to pay tribute to those sounds and artists, and have some fun with it.

I enjoy evolving my image along with the sound also.

 

Reflecting on your hits 'Catch-22' and 'Soul on Fire,' what was the creative process behind these tracks?

 

‘Catch-22’ was written, recorded and released during lockdown, and it’s the song that really connected me with the majority of my fans. The lyrics came to me while I was watching TV and I had to stop everything to go and write it. I wanted to create a dramatic, almost theatrical song, and I think we did a great job with that. It’s still one of my most requested songs.

 

‘Soul on Fire’ is I think my most streamed release, but it wasn’t my release, actually. Babert, a dance producer who I’ve worked with a lot asked me to change the lyrics to this track he wanted to rework, and sing the vocals. It ended up being ‘Soul on Fire’. It was fun to record and get my dance diva on, but honestly I haven’t sung it since!

 

You've been influenced by iconic artists across several genres. How do these influences shape your music today?

They have a huge influence on my music. I never went to stage school or anything like that and I didn’t even have a singing lesson until I was in my late teens, so I mostly learnt everything I know by listening to my favourite artists and trying to emulate them. I love an artist who gives their all, shows passion, and isn’t afraid to take risks, like Prince, Freddie Mercury, Madonna, Christina Aguilera and so on. So yes, that’s definitely percolated down into my music.

 

Can you share more about how your Greek-Cypriot roots influence your music, especially in songs like ‘Χίλια Σημάδια (1000 Scars)’?

 

I’m incredibly proud to be Greek Cypriot. Greek was the first language I ever spoke. I grew up listening to Greek music, which is all about passion and heartbreak mostly. Greek singers really know how to convey their emotions, and it has most definitely influenced the way I perform.

 ‘Χίλια Σημάδια’ was a project I wanted to do for so many years, and I finally released it in 2022. It’s a song about revenge, heartbreak, and a woman scorned. And even if you don’t speak Greek, you can feel what I’m feeling. I hope to record more songs in Greek soon.

 

 

Working with international producers on dance and house tracks, what do you find most rewarding about these collaborations?

 

It’s been very beneficial to me as a singer and songwriter to work on so many dance tracks. It’s not my favourite genre if I’m being honest, but the songs are really easy to write, and with each track, I bring something different to the table. I’ve been lucky enough to work with some lovely producers over the years, some of whom have returned to me many times for further work.

 

Your vocal talents were discovered during a hotel karaoke night. Can you tell us more about that experience and how it impacted your career?

 

Ah, yes, the karaoke night. I was a very shy kid, and not even my parents knew that I could sing. We were on holiday that year in Cyprus, and I just had this feeling that if I don’t perform now, in this moment, I will never do so. I asked my mum to get up and perform before me, to which she replied ‘are you mad?’ haha. But, she got up and performed a song, which encouraged me to get up and perform ‘Hopelessly Devoted To You’ from Grease.

 

I sang with my back to the audience as I was terrified. But I finished the song and everyone got to their feet! I couldn’t believe it. That was the moment I knew that I could do it. And I haven’t stopped since then.

 

As an artist with a significant digital presence, what are your views on the pros and cons of the digital age for musicians?

 

You know, I grew up in a time when there was no internet. I listened to all my music on the radio, cassettes, CDs. And honestly, I miss that anticipation of having to wait to go buy the single or album once it comes out. I feel that, although social media and the digital age have brought their benefits, the mystique of the artists we love has now gone. Everything we want is at our fingertips. A song comes out, we press play on our phones and it’s there. We can watch and listen to everything on demand. I’m not a fan of that, to be honest.

 

Social media has been amazing for me as an independent, unknown artist. I’ve been able to connect with people internationally without leaving my house. And I’m very grateful for that. However, I think that the pressure and focus is now on social media and making ‘content’ rather than actually making music and being an artist. And I don’t feel comfortable with that.  I’ve created my own way of using socials so that I don’t get too overwhelmed, but at the same time, I’m interacting with my fans and maintaining that connection.

 

Ageism is a topic of concern in the music industry. Have you encountered ageism, and how do you navigate these challenges?

 

Ageism is still a huge concern, particularly for women in the industry. I talk very openly about my age, and I’m not ashamed to say that I’m 40. I want younger artists, especially female artists, to know that sometimes it doesn’t work out the way you planned when you were 18. Sometimes, you end up working way longer than you thought you might before anyone takes notice, and you know what, that is ok. Personally, I think I’m the best artist I’ve ever been. At 20, I didn’t really know myself, I didn’t know who I was as an artist. And now, yes, I’m older but I’m more experienced and I’m not prepared to put up with any nonsense from anyone in the industry.

 

I think it’s amazing that Kylie Minogue is still out there killing it at age 55, and yet certain major radio stations refused to play her music because of her age! I’ve never heard anything so ridiculous! Kylie is an icon, and someone whose music I listen to a lot. She is very underrated as an artist. I hope she wins that Grammy!

 

I have faced ageism indirectly, I believe. I think because I talk so openly about my age, some venues, or producers etc, may decide privately not to work with me because I am past it. That’s just my opinion. But that’s fine, you know, I don’t want to be associated with people like that anyway.

 

You’ve performed on iconic stages and been featured in major publications. What do you consider your biggest career milestone so far?

 

I think it has to be performing backing vocals for the band ‘James’ on the BBC show ‘Later with Jools’. It was a great learning experience being on live TV, and performing songs I didn’t really know until that day. And it served as motivation for me to work hard and one day be on that show performing my own music.

 

How do you balance the desire to pay homage to your musical influences with the need to create a unique and distinctive sound?

 

Interesting question. I think that my voice is distinctive, so whatever genre I decide to sing, it somehow becomes my own because I have something different going on. That is a good and a bad thing, because the rejection I’ve faced far outweighs the opportunities. But I make it very clear that if I can’t be authentic, then there really is no point.

 

In terms of songwriting, how has your classical piano background influenced your approach to composing music?

 

I think it’s given me the foundations to be able to write music, for sure. I’m very good at hearing harmonies, for example, and I think a lot of that comes from the ear training I had to do as part of my classical piano studies. So thank you, Mum, for making me go to piano lessons!

 

The digital age has transformed how artists interact with their audiences. How do you use digital platforms to connect with your fans?

 

I do my best to reply to every comment, message and so on. Sometimes, it is overwhelming and I need to take a few days off, but it’s really important to me that my fans know how much I appreciate their support. I am incredibly grateful to them.

 

Facing the challenges and opportunities of the music industry, what advice would you give to aspiring artists looking to carve their path?

I would say quite simply, be yourself. No matter what people say, stay true to your vision and keep focused on your dreams.

Socials

https://linktr.ee/nathaliemirandamusic

Lyric Review of Echoes by Nathalie Miranda

The lyrics narrate a deeply emotional and evocative story of growth, pain, and self-discovery. They speak to the universal experience of transitioning from the innocence of childhood to the complexities of adulthood, highlighting the often painful process of coming to terms with one's identity and the challenges life presents.

The recurring imagery of "bullets" and a "safe little world" symbolizes the harsh realities and trials one faces growing up, suggesting a loss of innocence and the harsh impact of life's challenges. The metaphor of a "page that can’t be turned" and a voice that was "never heard" poignantly expresses feelings of stagnation and silence, reflecting a struggle with self-worth and expression.

Central to the song is the transformational journey towards self-acceptance and resilience. The mirror serves as a powerful symbol of self-reflection and the quest for identity, emphasizing the dissonance between how one perceives oneself and how one wishes to be seen. The assurance "I will be there in the mirror with you" conveys a message of support and solidarity, promising presence and understanding in times of self-doubt and isolation.

The closing lines signal a shift towards empowerment and liberation, marking a significant turning point in the narrator's journey. The declaration "I am older, I am grown, I am free" signifies a reclaiming of agency and a newfound sense of freedom, suggesting that the experiences and challenges faced have culminated in a stronger, more self-assured individual.

Overall, the lyrics are a poignant exploration of the struggles and triumphs of growing up, offering a message of hope and resilience. They touch on the importance of self-acceptance, the value of personal growth, and the power of standing by oneself through life's challenges.

 

Fictional Story Based on the Lyrics

Reflections of Resilience: A Journey Through the Mirror

Created by Indie Mastered

Copyright 2024 Nathalie Miranda

In a quiet town painted with the pastel hues of yesteryears, there lived a girl whose life was as unremarkable as the faded wallpaper adorning her childhood bedroom. She was young, just a child, navigating the labyrinth of growing up with only her shadows for company. No one had prepared her for the trials ahead, for the pain that growing up would bring, tearing through her safe little world like a storm unbidden.

She couldn't grasp why life, with its capricious whims, hurled challenges like a relentless barrage, leaving her to seek refuge in the crevices of her fractured dreams. It felt as if the world moved on, leaving her behind, like a page in a book that refused to turn, her voice lost in the cacophony of the unheard.

With each passing day, she faced the mirror, a ritual in search of answers. But the reflection that stared back wore a mask of unfamiliarity, the pieces of her identity scattered like a puzzle unsolved. In her solitude, she whispered vows into the void, promises to the reflection that she yearned to recognize once more.

As time wove its intricate tapestry, the girl found herself caught between the chimeras of her dreams and the stark reality of expectations. She chose to retreat, a shadow amongst shadows, her tears the silent testament to the parts of her that faded into oblivion. Yet, in the depths of despair, the echoes of her resolve lingered, a memory that refused to be extinguished.

In the darkest hours, when hope seemed but a distant flicker, a voice emerged, soft yet unyielding. It spoke of solidarity, of a presence unwavering, a promise to stand by her side, to be the companion in the mirror when the world turned its back. "For everything I couldn't do," the voice vowed, "I will be there, in the mirror with you."

Years tumbled like the leaves of autumn, and the girl, no longer a child, found strength in her reflection. The shards of her identity, once scattered, began to align, painting a portrait of resilience and freedom. She realized that the journey through the mirror was not one of solitude but of discovery, a path leading her to embrace the myriad facets of her being.

She emerged, not as the girl she once was, but as a beacon of self-assurance, her voice now a melody that resonated with the strength of her spirit. "I am older, I am grown, I am free," she declared, her reflection a testament to her journey from the shadows into the light.

And so, the story unfolds, a narrative woven from the threads of pain, growth, and redemption. It's a tale that speaks to the heart of every soul who has faced the mirror, searching for the pieces of themselves, only to discover that within them lies the power to shape their destiny, to be the architect of their freedom.

Andrew Macdonald's Musical Journey: From Business to Ballads

 

In the bustling corridors of the corporate world, Andrew Macdonald navigated a successful career, traveling globally, climbing the corporate ladder, and reaping the rewards of a fast-paced business life. His journey, spanning nearly four decades, was marked by significant professional achievements, the challenges of raising a family, and the pursuit of academic excellence through a Masters and then a Doctorate. Yet, amidst the cacophony of corporate achievements and personal responsibilities, a quiet melody played continuously in his mind – a melody of unfulfilled musical aspirations.

For years, Macdonald's love for music remained a distant dream, often relegated to the backburner as life's immediate priorities took center stage. The world of writing music and singing seemed incompatible with his fast-paced lifestyle. Yet, like a persistent whisper, songs continued to play in his head. Occasionally, he would pen down lyrics, holding onto the hope that maybe, someday, they would find their melody.

This 'someday' found its spark a few years back in an unexpected way. As his older sister approached her wedding day, Macdonald sought a unique and heartfelt gift to express his affection. He turned to his latent passion for music and wrote her a song. However, at that time, his musical abilities were limited to lyrics. He handed her the words with a promise to one day sing them, a promise that seemed more like a wishful thought than a tangible future reality.

Inspired by his older brother, who had begun piano lessons, Macdonald decided it was time to resurrect his musical dream. He took up guitar lessons, a challenging endeavor that rekindled memories of his childhood music lessons. It wasn't easy – far from the adage of 'like riding a bike' – but perseverance paid off. As he strummed more confidently and mastered chords, the possibility of setting his lyrics to music started becoming real.

His dedication culminated in transforming the lyrics written for his sister into a full-fledged song. This accomplishment marked a significant milestone in his life – he had created his first song. Yet, the thought of performing it himself was daunting. Seeking a professional touch, he explored local recording studios and discovered a world where engineers, singers, and musicians could help bring his vision to life.

At 65, Macdonald found himself in an almost surreal moment, walking the streets of Boston, surrounded by young musicians from the Berklee School of Music. This led him to a recording studio where he witnessed the birth of his first song, "To Have and to Hold," a beautiful tribute to his sister's wedding.

This experience was initially intended to be a singular venture, a fulfillment of a promise. However, the discovery of music streaming platforms like Spotify and Apple Music opened his eyes to new possibilities. With minimal investment, his song was suddenly available worldwide. The emotional response of his sister and her husband, hearing the song on Apple Music, was a profound moment, signaling to Macdonald that it was time to delve deeper into his musical talents.

His first album, aptly titled "To Have and To Hold," was an exploration of lifelong love, inspired by his 34-year marriage. The album was a concept piece, narrating a personal journey that resonated with universal themes of love and commitment. His venture into music continued to evolve, leading him into the Contemporary Christian Music (CCM) genre for his second album, and a third album titled "Purpose" on the horizon.

In just a year and a half, Macdonald has written about 15 songs, each marking a step in his ongoing artistic evolution. His story is not just about music but a testament to the idea that it's never too late to pursue one's passions. With the release of his new song, "You Believe in You," at the end of February, Macdonald sends a powerful message: belief in oneself is paramount.

Andrew Macdonald's journey is a vivid illustration that life's second acts can be as fulfilling as its first, and sometimes even more so. His story inspires others to follow their dreams, regardless of age or life's circumstances, reinforcing the idea that it's never too late to embrace your passions.

My interview with Andrew Macdonald delves into his journey from a business career to embracing his passion for music later in life.

Early Influences and Deferred Dreams: Macdonald grew up influenced by the Beatles, Dan Fogelberg, and other artists like America and Genesis. Despite his early love for music, he never considered it as a career path, focusing instead on his natural leadership skills in business. Interestingly, he occasionally wrote down song ideas, which he revisited years later, sparking his interest in recording his own music.

Balancing Life and Latent Talents: While fully engaged in his career, pursuing a doctorate, and raising a family, Macdonald kept his musical aspirations on hold. He admitted that had he been aware of the modern music world earlier, he might have pursued his musical interests sooner. Music remained a latent dream, occasionally mentioned in conversations.

The Catalyst of Change: Writing a song for his sister's wedding was a pivotal moment for Macdonald. He experienced a profound realization in combining lyrics with music, which reignited his passion for songwriting.

Learning and Relearning Music: Later in life, Macdonald relearned guitar, initially following traditional methods. Balancing this with his other responsibilities, he focused on learning chords and eventually composing his own music.

First Recording Experience at 65: At 65, Macdonald's first recording session in Boston was a surreal experience. He found the music industry welcoming and was exhilarated by the new environment and processes.

Embracing Modern Music Distribution: Navigating the modern music distribution landscape, Macdonald used DistroKid to distribute his music, marveling at the ease of getting music onto platforms like Spotify and Apple Music. His marketing background helped him in promoting his music.

The Emotional Impact of Your Music: The emotional response of his sister and her husband to his song on Apple Music deeply touched Macdonald and motivated him to continue with music.

Concept Behind 'To Have and To Hold': His first album, 'To Have and To Hold,' is a concept album exploring the journey of lifelong love, drawing from his own 34-year marriage.

Exploring New Genres and Future Projects: Macdonald ventured into the Contemporary Christian Music (CCM) genre with his second album. His faith plays a significant role in his music, and he enjoys connecting with people through it.

Advice for Balancing Creative Pursuits with Life's Demands: Macdonald advises others to assess their time usage and to commit to their creative pursuits, even if it means working in the late hours.

Reflections on Success and Personal Growth: He measures his success as an artist by his personal and artistic growth, enjoying the journey and the connections made through music.

Message to Aspiring Musicians and Late Bloomers: In his upcoming song 'You Believe in You,' Macdonald encourages others to pursue their passions, regardless of age, viewing it as an asset.

Overall, Andrew Macdonald's story is an inspiring tale of rediscovering and pursuing one's passions later in life, balancing multiple roles, and embracing new opportunities in the modern music landscape.

 Interview with Andrew Macdonald

Early Influences and Deferred Dreams:

Andrew, can you take us back to those early days when music was a budding interest for you? What kind of music influenced you as a young person, and how did it feel to set aside this passion for a career in business?

My earliest memories of music were the Beatles.  They had a massive impact on me.  Their sound resonated with me at a very early age.  In my teens, the music from Dan Fogelberg had a profound impact.  The depth of his lyrics and breadth of his music, such as the use of orchestration opened my ears to the possibilities.  Other influences would have been America, James Taylor, Springsteen (I went to college in New Jersey), CSN, Genesis.

In those days, I never thought of pursuing music as a career.  Also, I had natural leadership abilities and at that time, business seemed to be the best way to utilize that.   Interestingly, through all the years, I’d have a song idea in my head and would write it down.  I almost forgot I did that until I stumbled on them last summer.  I’m pleased to say they were good.  I think it would be cool to record one and that’s my plan. . . bring the past to the future.

Balancing Life and Latent Talents:

Throughout your career and personal life, how did you manage the persistent call of music? Were there moments when it was particularly challenging to keep your musical aspirations on hold?

Overall, it was not difficult because the career which I was fully enjoying kept my life very full, then pursuing a doctorate, and having three kids and all that comes with raising a family.  The idea of making music did not seem possible.  Of course, I was not fully aware of the new world of music we now live in.  Had I been, I would likely have done something sooner. 

Funny thing was when people would ask me what I wanted to be if not a Business Executive, I would say “singer and songwriter.”  They would laugh, and a part of me would as well. . . but not the whole part.  

The Catalyst of Change – The Wedding Song for Your Sister:

The song you wrote for your sister’s wedding seems to have been a pivotal moment for you. Could you describe the emotions and thoughts that led you to finally bridge the gap between writing lyrics and actually composing music?

It was an amazing experience to begin to play songs and then play around with different chord combinations, but that moment when I realized I could put the two together was like someone unlocked a closet door full of, in this case, music, that had been there for years.   It is hard to describe how I felt when I first played that song for myself, but I could almost sense something new was happening in me.  

Learning and Relearning Music:

You mentioned taking up the guitar later in life, after a long hiatus. What was that learning process like for you, especially as you balanced other responsibilities?

Not knowing any better, I took the traditional of learning notes, then chords etc.   I had an old “how to learn” guitar course I had purchased years back for one my sons.   It was the only alternative that I knew of and since my job required traveling about 50% of the time, taking lessons on a regular basis was not an option.  So, I stumbled along slowly learning.  It was painful.  Then I realized I just wanted to be able to play a few songs.  I think I read about “Leaving on a Jet Plane,” that was basically three chords.   That changed everything.   I began to learn more and more chords and more and more songs, and then I began composing my own.   

In terms of balance with all else, I earned my Master and Doctorate while having a demanding job, traveling a tremendous amount, and raising a family.  This took my time management skills to another level.  Finishing my doctorate in 2016 freed up a chunk of time where I could focus on learning to play.  I think with something like music you need time to just explore and experiment.  

First Recording Experience at 65:

Walking into a recording studio at 65 must have been quite an experience. Can you share more about your feelings and thoughts during that first recording session in Boston?

It was surreal.  I still think about it.  Of course, I was by far the oldest one there, but the studio people were/are awesome.   Spending most of my life around business executives/professionals, this was so different, and I felt really comfortable from the start.  Thus far, I have found this industry to be very welcoming.     

Of course, everything for me was a new experience, from the modern methods of recording, to singing into a microphone with headphones on, to the people, the industry language, the whole scene.  I could not believe it was happening and I was so happy. 

As an aside, I had not told anyone about this; my wife, kids, friends knew absolutely nothing.  This was mine.  I needed to do this for me.

Embracing Modern Music Distribution:

How did you navigate the modern landscape of music streaming and distribution? What challenges and surprises did you encounter in getting your music onto platforms like Spotify and Apple Music?

Certainly, without a compass.  I knew nothing so I had to ask a lot of questions, especially to those in this new world and do research.  I’m a learner and I love to learn knew things, so this came very naturally to me.

After I recorded the song, I was talking with the engineer, a young guy in his mid 20’s.  My only intention was to give this one song to my sister.  I only knew of the traditional big recording companies.  So I asked him, what do people like me usually do.  He told me about this company called “DistroKid.”   That was a game changer. 

I went home, did my research, and within a few hours my song had been uploaded to a few dozen platforms.   I don’t think the word “surprise,” could do that experience justice.  I was blown away.  I’m still “surprised” at how easy it is to get your music out there.

But like any product, getting it out there, and getting people to listen is a whole other challenge.  No doubt that has been the biggest challenge, but I have a lot of marketing background, albeit in different industries.   Learning the process, how to, the streaming world of music and so on has been the biggest challenge, but I’m patient and I’m learning.   It was only recently that I learned about the “Indie” world and that has been a cool experience.  You realize you’re not alone.  It’s very inspiring . . . comforting.

The Emotional Impact of Your Music:

When your sister heard your song on Apple Music, what was that moment like for you? How did her reaction influence your decision to continue with music?

Her and her husband’s reaction was very special and the feeling that words which I wrote and music which I composed, could elicit that level of emotion really touched my heart.  I knew right then that I had to pursue this.  I knew that there were so many more words and melodies that could be written which could make a difference.  

Concept Behind 'To Have and To Hold':

Your first album 'To Have and To Hold' is described as a concept album. Could you elaborate on the themes and stories that you chose to explore in this album?

The second song I wrote after “To Have and to Hold, “called “Empty,” was about a long standing marriage ending.  I had two other songs in the making and began to see a story evolve.  That’s when I learned about “concept” albums.  So, I began to write about the journey of lifelong love.  The album begins with a song called “The Search,” which explores the experience of a young man looking for that one.  The second song is the follow up called “When You Know.”  So they meet, fall in love, grow together (Pretty Things), get engaged (“Love Is), experience happiness (Happy) get married (To Have and To Hold), experience the strain of careers/work and the need to spend time (Just a Moment), then separation (Empty), but in the end come together (Full).  

I’ve been married for 34 years so I was able to draw on a lot of my own experience and emotions which I found to be very helpful.  It made the music very real for me.

Exploring New Genres and Future Projects:

You mentioned venturing into the CCM genre with your second album and working on a third album titled 'Purpose.' What inspires you to explore different genres and themes in your music?

‘Purpose’ was to be my next album.  After completing ‘To Have and To Hold,’ I knew I did not want to write more love songs.  I wanted to use music as an extension of my personal mission to create a better world.   While this album was still an idea, I was asked to be part of a newly formed band at my church who were going to sing CCM music.  I joined and it opened my eyes and ears to this whole new genre.   I think I wrote my first CCM song, “Who Am I,” in less than an hour, that’s how natural it came to me.   On February 14, I’ll be releasing my fourth CCM song, “Coming Home,” which draws from the parable of the Prodigal Son.    My faith is a very big part of my life, and CCM gives me the opportunity to connect with people on a whole other level.  

Advice for Balancing Creative Pursuits with Life's Demands:

What advice would you give to individuals who are struggling to balance their creative pursuits with the demands of their careers and personal lives?

Assess how you’re using your time.  Consider how much time you’re wasting that could be spent on something that might change your life and others as well.  Put a plan together and make a commitment to not letting yourself down.  You may only have the late hours of the day, after work, after the kids go to bed, after everything.  Carve out the time and push yourself.  It will be hard, and at times may seem not worth the effort but push through.   The only real failure in life is not trying.  In that case you failed yourself.  You don’t want that.  If you’re a person of faith . . . pray.

Reflections on Success and Personal Growth:

Looking back on your journey so far, how do you measure your success as an artist? What personal growth have you experienced through this journey?

In terms of success, as long as I’m growing and developing as a person and artist, I’m good.  I’m mostly interested in communicating with people through music.  I do not know where this is going, and I have no idea how long it will take, but I am thoroughly enjoying the music, the journey, and people as well.   

Just this week I walked into our church to attend something only to hear one of my songs playing.  I’m not sure it gets much better than that.

From a personal standpoint, I have had an amazing career.  Traveled the world, had so many incredible experiences, but this has allowed me to become something I’ve always been, but never allowed out.  It’s like a new life.  It’s awesome.

Message to Aspiring Musicians and Late Bloomers:

With a song like 'You Believe in You' set to release, what message do you hope to convey to others who might be hesitating to pursue their passions, particularly later in life?

This song has a great story.  It was never supposed to happen, much like my songwriting career.  The message in this song says it all.

In terms of “later in life,” that shouldn’t matter if you still have the talent and desire.  In fact, the older you are the more you know.  Consider age to be your greatest asset.  It just comes down to using it, and not being afraid to fail.   When life is done, I want to look back and say “I left it all on the field . . . .the field of life.     

Socials

https://andrew-macdonald.org/

https://twitter.com/andrwmacdonald

https://www.instagram.com/andrewmacdonaldhsms

Lyric Review "You Believe in You"

The lyrics of "You Believe in You" convey a powerful message of self-belief and resilience in the face of loneliness and adversity. The repetition of "Yes you’re all alone / But you keep on goin / Yea, don’t give up" emphasizes the theme of perseverance. This repetition serves not just as an affirmation to the subject of the song but also as a mantra that listeners can internalize.

The transformation from acknowledging solitude ("Nobody there for you / And you seem so all alone") to an empowering belief in oneself ("Because you believe that dreams / Come true / And you believe that you / Can do / Impossible things") is particularly striking. It suggests a journey from a place of isolation to a position of strength and self-confidence.

The phrase "Because you believe, believe, believe / In you" reinforces the central theme of self-belief. It's a powerful reminder that faith in oneself can be a driving force in overcoming challenges and achieving what might seem impossible.

Overall, these lyrics are inspirational, offering a message of hope and strength. They speak to the universal experience of feeling alone but also the incredible power of self-belief in changing one's circumstances and making dreams a reality.

Fictional Story based on the lyrics  "The Light Within"

Created by Indie Mastered

Copyright 2024 Andrew Macdonald

In the small, picturesque town of Willow Creek, there lived a young artist named Emily. Emily was known for her vibrant paintings that often featured the serene landscapes of her hometown. However, beneath her calm exterior, Emily battled feelings of loneliness and self-doubt. Despite her talent, she struggled to believe in herself and her art, feeling overshadowed by the more successful artists in her community.

One cold winter evening, as Emily sat in her modest studio, she heard the soft melody of a song drifting through her window. The lyrics spoke of perseverance and believing in oneself despite being alone. The words, "Yes you’re all alone / But you keep on going / Yea, don’t give up," resonated deeply with her.

Inspired, Emily began a new project, pouring her emotions into a canvas that depicted a lone figure standing at the edge of a cliff, looking out into a vast, star-filled sky. The figure, though solitary, stood tall and confident, embodying the spirit of the song's message. As she painted, Emily found herself internalizing the lyrics, "Because you believe that dreams / Come true / And you believe that you / Can do / Impossible things."

Days turned into weeks, and Emily's painting evolved into a masterpiece that captured the essence of hope and self-belief. She decided to showcase it at the local art fair, a decision that took every ounce of her newfound courage.

On the day of the fair, Emily's painting, now titled "The Light Within," drew an awe-struck crowd. Viewers were captivated by the way the figure in the painting seemed to emanate an inner light, symbolizing the power of belief in oneself. Among the crowd was a renowned art critic who was deeply moved by Emily's work. He wrote a glowing review, praising her unique talent and the emotional depth of her painting.

Emily's life began to change after that. She received invitations to exhibit her work in larger cities, and her paintings started to sell. But more importantly, she had found her inner light. She realized that the loneliness she once felt had transformed into a source of strength and creativity.

"The Light Within" became not just the title of her painting, but a mantra for her life. Emily learned that believing in oneself could turn the impossible into reality, a lesson she shared through her art. And whenever she felt doubt creeping in, she would hum the song that changed her life, remembering always to believe, believe, believe in herself.

Wild Horse: Charting a New Course in Indie Pop for 2024

East Sussex's Own Indie Pop Sensation: Wild Horse

As 2024 unfolds, Wild Horse, an original indie pop band from East Sussex, UK, is poised to captivate audiences with their new single, "WEDNESDAY NIGHT DISTRACTIONS." This release marks the start of a promising year, following their spectacular success in 2023. Each of their five releases last year was met with critical acclaim, earning the title of BBC "Tracks of The Day" and featuring on numerous radio shows globally.

A Year of Musical Triumphs

2023 was a landmark year for Wild Horse. Their songs resonated with both reviewers and radio stations worldwide, setting a high bar for their upcoming projects. The band's commitment to their art was evident as they spent the year recording, touring, and promoting their music tirelessly. This hard work paid off, with each release receiving high praise and widespread recognition.

The Craft Behind the Music

The band's latest single, "WEDNESDAY NIGHT DISTRACTIONS," is an indie pop anthem that celebrates the vibrancy of nights out and the joys of friendships. The song, penned by the band's frontman and lead singer, Jack Baldwin, was expertly produced by Mat Leppanen at The Animal Farm in London. This collaboration has once again demonstrated the band's ability to blend catchy melodies with thoughtful lyrics.

Critical Acclaim and Industry Recognition

Wild Horse has garnered attention from several music publications and critics. 1111Crew described them as a band redefining the boundaries of indie music. Sono Music praised their infectious sound and captivating live performances, while Mesmerized Mag expressed their support for the band's bright future.

The Band's Roots and Style

Formed by brothers Jack and Henry Baldwin and their childhood friend Ed Barnes, Wild Horse stands out as a unique indie trio. Their sound, a fusion of hip hop beats and classic 60s/70s Brit Rock, reflects their diverse musical upbringing. Their music embodies the excitement and anticipation of a night out, resonating with a broad audience.

A Record of Consistent Excellence

Their journey has been marked by relentless gigging, writing, and recording, earning them enthusiastic support across the industry, including the BBC. They have been featured as a BBC Intro band multiple times, with multiple tracks named BBC Tracks Of The Day. Their music has been acclaimed worldwide and even discussed in the UK Parliament.

Looking Ahead to 2024

After a successful national tour and an appearance at the 2023 Great Escape Festival in Brighton, Wild Horse is gearing up for an even busier 2024. They continue to work closely with their London label, The Animal Farm Music, consistently writing and recording new songs. Their enthusiasm and ambition for the future are palpable as they prepare for more gigs and festivals.

The Band's Ethos and Influences

At their core, Wild Horse embodies hard work, dedication, and a passion for delivering high-energy live performances. They draw inspiration from a wide array of artists, including Harry Styles, Fleetwood Mac, Bruno Mars, and Prince. Their music has been likened to The 1975, Harry Styles, and Fleetwood Mac, among others.

Conclusion

Wild Horse's journey is a testament to their talent, ambition, and unwavering dedication to their craft. With an average age of just 21, they have already made a significant impact on the indie pop scene. As they continue to write, record, and perform, Wild Horse is undoubtedly a band to watch, promising to bring more exciting and innovative music to the forefront of the indie scene.

The members of the band Wild Horse are:

Jack Baldwin - Frontman and lead singer

Henry Baldwin - Brother of Jack Baldwin

Ed Barnes - Best mate from primary school and a band member

Wild Horse Socials

https://wildhorse-rockband.com/

https://www.facebook.com/wildhorseuk

https://twitter.com/wildhorserockuk

https://www.instagram.com/wildhorseuk/

https://www.tiktok.com/@wild_horse__band

https://open.spotify.com/artist/4Bp1kmno7aBsJFmTpRbpxP

https://itunes.apple.com/gb/artist/wild-horse/1361201597

http://www.youtube.com/user/wildhorserockuk

https://soundcloud.com/wildhorseuk

https://wildhorse1.bandcamp.com

Interview with Wild Horse

What was the initial spark or idea that led to the creation of 'WEDNESDAY NIGHT DISTRACTIONS'? How did this concept evolve during the songwriting process?

I wrote the song about 2 years ago when I was at Uni and enjoying being single and exploring those areas of adult life that had become available to me by living away from home for the first time. I wrote it after being mugged at knifepoint one night whilst I was waiting for someone to meet me. I ended up grabbing a guitar the next day and coming out with the song. For some reason I wrote it about the situation I had with the person I was seeing the night before as opposed to the whole being mugged thing. I don’t know why but that’s what came out. 

 

Could you discuss the thematic elements and lyrical depth of 'WEDNESDAY NIGHT DISTRACTIONS'? What message or experience are you aiming to convey to your listeners through this song?

Lyrically, I believe that a song holds different meanings to different people, and you should let it have its own personal meaning to yourself, rather than me telling you what it’s about. But yeah, there’s no particular message, it’s just about having fun and living a certain lifestyle that you tend to live when you’re young and leave home for the first time. It’s not the sort of song that is meant to have a particularly deep meaning. 

Which musical influences most prominently shaped the sound and style of 'WEDNESDAY NIGHT DISTRACTIONS'? How does this track align with or diverge from your previous work?

All sorts of things. I write songs about all areas of life really. Love life is obviously a big one, but also friends, politics, personal experiences. Many things really. You could write a song about a cup of coffee if you really wanted to. There’s inspiration in all walks of life. 

Can you shed light on the production process of 'WEDNESDAY NIGHT DISTRACTIONS'? Were there any significant collaborative dynamics or challenges encountered during its production?

Nothing particularly special. Once we are in the studio recording, we listen back continuously to each element & often make subtle & sometimes not so subtle changes. With this track we added some more keyboard & synth parts but the heart of the song was the same.

How do you anticipate your audience will receive 'WEDNESDAY NIGHT DISTRACTIONS'? What impact do you hope this new single will have on your listeners and on your career trajectory?

We always hope that our audience love what we put out. But that being said, I think it would be wrong to try and shape things in a way that you think people would like. Music is about self-expression so I think you should always make the music that you enjoy most, rather than what you think other people will enjoy. Usually, you’ll find people will much prefer music which is authentic to yourself because people can sense that and relate to it. There’s no point trying to be fake in the hopes of getting people to like you because I think people can see through that. 

Reflecting on your initial attraction to music, could you elucidate the pivotal moments that propelled you towards forming Wild Horse?

It’s hard to pick a pivotal moment. My brother learned to play guitar well & once I then started to learn & picked it up pretty quickly. Both myself & my brother went to the same “Rock School” club at school, so did Ed who was by far the best drummer in the school. Once we started to play together it just became obvious to us.

How do your individual musical preferences and backgrounds amalgamate during the creative process, influencing the distinct sound of Wild Horse?

We all have a non-genre attitude to music & listen to everything, so we often share new finds & artists as well as all having a great love of all the greats from the Beatles, Stones, Hendrix through to everything today & classical music.

Apart from musical influences, what diverse sources - like literature or personal experiences - catalyze your creative output?

All sorts of things. I write songs about all areas of life really. Love life is obviously a big one, but also friends, politics, personal experiences. Many things really. You could write a song about a cup of coffee if you really wanted to. There’s inspiration in all walks of life. 

Can you trace the development of your musical style from your earliest compositions to your current works?

We were very young when we started and our initial main musical influences came from the type of music our parents played, all good stuff, Stones, Hendrix, CSNY, Beatles, Doors, etc. As time went on, we broaden our tastes to just about everything & I think this is clear in our songs, we are not genre fixed & are happy to go in whatever direction feels right.

In what ways do interactions and feedback from your audience shape your musical creations and performances?

We always hope that our audience love what we put out. But that being said, I think it would be wrong to try and shape things in a way that you think people would like. Music is about self-expression so I think you should always make the music that you enjoy most, rather than what you think other people will enjoy. Usually, you’ll find people will much prefer music which is authentic to yourself because people can sense that and relate to it. There’s no point trying to be fake in the hopes of getting people to like you because I think people can see through that. 

Looking ahead, what new projects or musical directions are you enthusiastic about exploring?

A larger tour that has an international aspect is our main aspiration right now & something we are looking very seriously at.

Can you describe the moment when you realized that music was your true calling, and how did that realization influence the formation of Wild Horse?

I think our first live gig would certainly have made me start thinking seriously about it. I was 11 years old & we played in an established music venue nearby. It was packed & we had a great reaction although we were only playing covers. I think the real moment came a little later on after I could see the reaction to songs we had written ourselves.

Could you walk us through your songwriting process? How do you typically go from an initial idea to a finished track?

I always say every song is different. Some songs can come from a guitar part, a piano part, a bass part, a vocal part of even a drum part. The inspiration comes in lots of different ways. But I’ll always start with creating a song musically. After I’ve got the base of a song I’ll think about vocal Melodies. Then I’ll record a demo at home and spend time trying different arrangements. It’s just having fun and trying stuff, seeing what sounds best. And then at some point the vocal Melodies will turn into lyrics. But that’s something I spend the most time on. That could often take me months. I won’t wire lyrics unless I get a proper and clear inspiration about what to write about. 

Your live performances are known for their high energy. How do you prepare for a show, and how do you maintain that energy on stage?

Well, I stay in shape all the time. I’m a bit of a health freak so I’m always working out and eating properly. I always do vocal warmups before a show, and I drink a couple of shots of vodka to clear out my throat. In terms of keeping the energy up, I have a good stamina anyway from staying fit but when the audience reacts well you get a burst of adrenaline that easily Carries you through.

Evolution of Sound: "How has your sound evolved from your earliest songs to your most recent work?" 

We used to be much more centered around an Indie rock sound, we are now much broader, more pop, funk, sole and R&B, no fixed genre.

Collaboration Dreams: "If you could collaborate with any artist, living or deceased, who would it be and why?" 

I don’t know if I have a dream collaboration per say. It would depend on the song. If I wrote a song that I felt like needed a certain artist on it then a collab would be great, but we wouldn’t do a collab just for the sake of having a certain artist on our song. That being said I’d love to duet Wild Horse with Mick Jagger at a show one day, we all love him & has been a massive influence from the first song that got me into music, “Sympathy For The Devil”.

 

How do you view the current state of the music industry, and how do you navigate its challenges?

We were brought up in the Social Media era where streaming is king & so this is our normal. The one thing that never changes is the fact that you have to primarily entertain an audience & get people to want to hear your music & see you play live, to invest in you.

How do you want Wild Horse to be remembered in the history of music?

We will be very pleased if in the future people listen to some of our songs.

How do you feel about the global reach of your music, and do you tailor your music to an international audience?

We would love a broad global reach but we write what we write & do not consciously tailor anything.

What gives you the most satisfaction as artists?

It's always about live reaction for me. There is nothing better than a great reaction from an audience in front of you, when they know the words to your songs it's just brilliant.

How do you measure success for yourselves as a band?

The aim is to be able to fund our lives purely from doing what we love most, so the day none of us have to have other jobs to support ourselves will be success.

What advice would you give to aspiring musicians who look up to Wild Horse?

At the very beginning we were told, Rehearse, Rehearse & Rehearse some more. This is very true but more than that, get used to playing to near empty rooms, to not getting paid, to being treated pretty badly by venue owners & learn very quickly that nobody will put an audience in front of you, you have to work very hard to do that yourself & harder still to keep them. There is no magic wand, but the feeling of playing to a packed house & getting an audience singing along to your songs is worth all the hard work & strife.