The Warning's Rising Tide: Exploring 'S!CK' and 'Hell You Call A Dream' - A Dive into the Band's Latest Sonic Wave

The Warning Band, an all-girl metal band hailing from Monterrey, Mexico, has made a significant impact in the music scene since their formation in 2014. Comprised of three sisters, Daniela "Dany" Villarreal (guitars, lead and backing vocals, piano), Paulina "Pau" Villarreal (drums, backing and lead vocals, piano), and Alejandra "Ale" Villarreal (bass, piano, backing vocals), the band has garnered attention for their dynamic rock music and impressive musicianship.

The Warning gained momentum with a series of independent releases, including "Escape the Mind" EP in 2015, "XXI Century Blood" in 2017, and "Queen of the Murder Scene" in 2018. They've also achieved viral success, amassing over 120 million YouTube views and 10 million streams. Their debut single under LAVA Records, "CHOKE," released in 2021, was a notable success, and they have collaborated with Alessia Cara for Metallica’s "The Metallica Blacklist" album. Their third album, "ERROR," was released in June 2022, showcasing their continued evolution and growth as a band.

In their relatively short career, The Warning has performed extensively, including over 100 shows in America and tours in Europe. They've opened for notable bands like Muse, Foo Fighters, Sammy Hagar and the Circle, Stone Temple Pilots, Halestorm, The Pretty Reckless, and even Guns N' Roses. Their influences are diverse, ranging from Metallica and Muse to My Chemical Romance and Pink Floyd, reflecting in their eclectic and powerful music style.

The band's discography is a testament to their prolific output and musical versatility, with three studio albums, two EPs, and several singles. The studio albums include "XXI Century Blood," "Queen of the Murder Scene," and "ERROR." Their EPs are "Escape the Mind" and "Mayday." Among their singles, "Money," released in 2022, reached no. 31 on the Billboard Mainstream Rock Airplay chart, demonstrating their growing popularity in the rock music scene.

The Warning continues to captivate audiences worldwide with their energetic performances and unique sound, marking their place in the modern rock music landscape.

The Warning has been stirring interest with their songs "S!CK" and "Hell You Call A Dream." These tracks reflect the band's unique style and dynamic approach to music, resonating with their growing fan base.

"S!CK" and "Hell You Call A Dream" are among the newer additions to The Warning's repertoire. The band has been actively promoting these songs, generating excitement among their audience. They even posted a teaser on TikTok, raising curiosity about which song would be released on a specific date, showcasing their interactive approach with fans. This kind of engagement is a testament to their evolving presence in the music industry and their connection with their audience.

The song "Hell You Call a Dream" was performed at various shows, including at Teatro Diana in Guadalajara, Mexico, and at the Pepsi Center in Mexico City. It's indicative of the band's continuous effort to bring fresh and exciting music to their performances. The title of the song itself went through some variations, but according to ASCAP, the correct title is "Hell You Call a Dream".

The Warning continues to carve out a unique space in the rock music scene with their original songs and engaging performances. Their ability to blend different musical influences into their sound makes their music appealing to a wide range of listeners. For more detailed information and updates on their music, it's advisable to follow The Warning on their social media platforms and music streaming services.

Lryic Review of Choke

The lyrics of "Choke" by The Warning are poignant and emotionally charged, delving into themes of despair, surrender, and the metaphorical concept of drowning in one's emotions. The opening lines express a sense of inevitability and resignation, suggesting that certain outcomes are beyond control and acceptance is the only path forward.

The chorus, "Just let me drown / Let me dive in / Sink in deeper / Push my head / Choke me till I drown," is particularly powerful. It uses the imagery of drowning to convey a deep sense of being overwhelmed, perhaps by emotions, circumstances or struggles that the narrator is facing. This metaphor of drowning serves as a central theme, encapsulating the sense of being consumed by something much larger than oneself.

The lines "Wear your tears like jewelry / That vice is overpriced but / Art is dead it died with me / Don’t cry," introduce a juxtaposition of beauty and pain, suggesting that sorrow can be as ornamental as jewelry, yet burdensome like an overpriced vice. The notion that "art is dead" and died with the speaker adds a layer of personal loss and the end of creativity or expression.

In summary, the song seems to traverse the landscape of emotional turmoil and the struggle for relief through the metaphor of drowning. Its vivid imagery and emotive language invite listeners into a deeply introspective and somber narrative. For a more detailed exploration of the lyrics, I recommend visiting platforms where the song is available or official band resources for deeper insights.

Lryic Story from the lyrics of CHOKE

The Depths of Surrender 

Created by Indie Mastered

Copyright 2024 The Warning

In the heart of a bustling city, where the lights never dim and the streets hum with endless activity, there was a young artist named Elara. She was known for her captivating paintings that often explored the depths of human emotions. However, beneath her success, Elara was battling a storm of despair and desolation.

The story begins on a cold, rainy evening as Elara stood on the balcony of her high-rise apartment, overlooking the city. The raindrops mirrored the tears that slid down her cheeks, each one a silent testament to her inner turmoil. The recent loss of her muse and partner had left her in a state of profound grief, rendering her unable to paint. The canvases in her studio lay blank, much like the emptiness she felt inside.

As she gazed into the abyss of the night, the lyrics of a song drifted from a distant radio, echoing her own feelings, "I won’t say goodbye, In the end, it won’t matter at all, I’m sure, I won’t survive the fall." The words resonated with her, encapsulating the sense of hopelessness that had gripped her soul.

Elara found herself walking the rain-soaked streets, aimlessly wandering as if searching for something she couldn't name. The city, once a source of inspiration, now seemed like a maze of concrete and neon, trapping her in its unyielding embrace.

In a small, dimly lit cafe, she sought refuge from the rain. There, her attention was drawn to a street performer outside, his voice raw with emotion as he sang, "Just let me drown, Let me dive in, Sink in deeper, Push my head, Choke me till I drown." The lyrics mirrored her desire to surrender to her pain, to let the waves of sorrow engulf her completely.

As the night wore on, Elara realized that her journey through the city was a metaphorical descent into her own psyche. She confronted her memories, her loss, and the overwhelming sadness that threatened to consume her. The realization hit her that she was like the song’s narrator, drowning in a sea of grief and longing for release.

But as dawn approached, breaking through the darkness, Elara experienced a moment of clarity. The lyrics, "Wear your tears like jewelry, That vice is overpriced but, Art is dead it died with me, Don’t cry," spoke to her. She understood that her sorrow, while heavy, was also a part of who she was – a painful yet precious ornament of her life's experience.

With the first light of dawn, Elara returned to her studio. She picked up her brush, not to escape her pain, but to embrace it. Each stroke on the canvas was a testament to her journey, a blend of darkness and light, despair and hope. Her art was reborn, not in spite of her pain, but because of it.

"The Depths of Surrender" is a story of loss, pain, and ultimately, the transformative power of art. It reminds us that even in our darkest moments, when we feel like drowning in our despair, there is a potential for rebirth and newfound strength.

Band Members:

Daniela -- Dany Villarreal Velez: guitars, piano, lead and backing vocals

Paulina -- Pau Villarreal Velez: drums, piano, lead and backing vocals

Alejandra -- Ale Villarreal Velez: bass, piano, backing vocals

"We are three sisters from Monterrey, Mexico. We love music."

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https://www.thewarningband.com/

https://www.facebook.com/TheWarningRockBand/

https://twitter.com/TheWarningBand2

https://www.instagram.com/thewarningrockband

The Early Days:

The journey of The Warning began in 2005 with young Daniela and Paulina attending a summer camp featuring music and theatre activities, leading them to start piano lessons. Their musical tastes ranged from children's songs to iconic bands like AC/DC and Muse. By 2007, the sisters, including the youngest Alejandra, were deeply influenced by the video game ROCK BAND, which shaped their choice of instruments. Alejandra's choice of bass guitar was driven by her love for its sound, having been immersed in a musical environment since a young age.

The formation of The Warning was almost serendipitous, stemming from a school festival performance by Daniela and Paulina, later joined by Alejandra. Their shared passion for rock and roll, combined with their growing skills, led them to start recording and uploading their rehearsals to YouTube. A major breakthrough came with their cover of Metallica's "Enter Sandman," which went viral, amassing over 70 million views and drawing attention from Metallica members and other renowned bands.

Discography:

Escape the Mind (2015)

XXI Century Blood (2017)

Queen of the Murder Scene (2018)

Narcisista (2019)

ERROR (2022)

Following their online success, The Warning began writing original songs, resulting in their first EP "Escape the Mind." Their dream to attend a summer course at Berklee College of Music became a reality through a successful GoFundMe campaign and an appearance on The Ellen DeGeneres Show. Their single "Free Falling" from the EP was included in Rock Band 4, and they started receiving invitations to perform at various festivals and events across the U.S. and Mexico.

XXI Century Blood (2017):

Choosing to remain independent, The Warning worked on their first studio LP, "XXI Century Blood." The album was accompanied by a concept music video for the title track, winning several awards at film festivals. They continued to perform live, including opening for Def Leppard on their Mexican tour.

Queen of the Murder Scene (2018):

This period marked the creation of their concept album, "Queen of the Murder Scene," exploring psychological themes. Funded by a successful Kickstarter campaign, the album narrates the journey of a young woman's descent into obsession and madness. The album was launched with a co-headliner show alongside Wacken Metal Battle winners Jet Jaguar.

ERROR (2022):

In 2020, The Warning signed a five-record deal with Lava Records. They recorded their third full-length album, "ERROR," with producer David Bendeth in New Jersey. The first single, "Choke," topped streaming charts, followed by other successful singles. The album features a mix of high-energy tracks and thought-provoking lyrics, showcasing the band's evolution.

Ringing in the New: Tigirlily Gold's Musical Evolution and Heartfelt Outreach in 2024

 

Tigirlily Gold, the dynamic country music duo comprised of sisters Kendra and Krista Slaubaugh, is making waves in the music scene as they kick off 2024 with their new single "I Tried a Ring On." This introspective ballad, released on January 5th, represents a significant shift from their previous top 40 single "Shoot Tequila," showcasing a more vulnerable and storytelling aspect of their music. Kendra shared that this song, penned along with Krista, Pete Good, and Josh Jenkins, is one of her favorites and marks a departure from the fun, honky-tonk energy of "Shoot Tequila" to a more reflective and narrative-driven style.

Krista expressed that she's particularly proud of "I Tried a Ring On" because it offers a different perspective on breakups, focusing on the frustration and devastation of having to start over, a theme she feels is not as frequently addressed in country music. The song delves into the emotional turmoil and shock of a relationship ending when one had envisioned a future with their partner. The song has resonated with listeners, including those who have experienced divorces, finding a connection with its heartfelt narrative.

In addition to their musical endeavors, Tigirlily Gold is actively involved in philanthropic activities. They have been committed volunteers with Musicians On Call since 2018, performing for nearly 700 patients, family members, and caregivers both at their bedsides and virtually. On December 19th, they celebrated the launch of a new program with Musicians On Call and TriStar Centennial Medical Center, where they performed live and visited patients at their bedsides. This program is part of Musicians On Call's initiative to bring music to the bedsides of patients, families, and caregivers in healthcare environments, providing soothing and uplifting music in the hospital's Garden Court.

As Tigirlily Gold continues to evolve their music and storytelling prowess, they are set to bring a resurgence of girl power energy to country music, with more releases anticipated throughout 2024. Their songwriting versatility and ability to connect with listeners through their personal experiences and narratives are quickly setting them apart in the country music scene

Lyric Review of "I Tried a Ring On"

Reviewing the lyrics of "I Tried a Ring On" reveals a rich tapestry of emotions and imagery, deeply woven into the narrative of love, hope, and eventual disillusionment. The song crafts a poignant journey of a romantic relationship, from its optimistic inception to its sobering conclusion.

Verse 1 and 2: These sections serve as a vivid prologue, setting a scene of deep commitment and belief in an unbreakable bond. The use of religious imagery ("Hand on the Bible") immediately conveys a sense of solemnity and sincerity. The repetition of phrases like "The way that it felt didn't feel like I jumped the gun" and "The way that you said it, I believed it like a vow" illustrates the narrator's initial certainty and the subsequent questioning of that certainty. This technique effectively captures the internal conflict and doubt that often accompanies introspection after a failed relationship.

Chorus: The chorus serves as the thematic crux of the song. The metaphor of flying "to the sun" beautifully encapsulates the euphoria of new love, reminiscent of Icarus's flight towards the sun, symbolizing a love that soared too high and too quickly, inevitably leading to its downfall. The line "I just feel stupid, I tried a ring on" is especially poignant, expressing vulnerability and self-reproach, a common aftermath of heartbreak.

Bridge: The bridge is a dreamlike interlude, almost a wistful fantasy, where the narrator allows themselves to indulge in the vision of a future that will never be. The imagery is vivid and personal ("My mind drove down the road/Where I saw the dress, pictured the place"), inviting listeners into the narrator's deepest desires and disappointments.

Outro: The outro reiterates the chorus and bridge, reinforcing the themes of loss and reflection. The repetition serves as a closure, a final acceptance of the relationship's end. The use of sound ("Ooh, Ohh") adds a layer of melancholy, suggesting a wordless expression of emotion that is too profound for words.

In summary, "I Tried a Ring On" is a lyrically rich song, weaving a narrative that is both personal and universal. It captures the highs and lows of a romantic relationship with emotional depth and poetic flair. The imagery is poignant and evocative, leaving a lasting impression of a journey through love, loss, and self-discovery.

Tigirlily Gold Socials

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Fictional Story created from the lyrics

Created by Indie Mastered

Copyright 2023 Kendra and Krista Slaubaugh

Flight of the Heart: A Tale of Love, Loss, and Discovery

In the quiet town of Willow Creek, there lived a young woman named Emma. Her story, much like the lyrics of "I Tried a Ring On," is one of love's hopeful inception and its eventual, painful conclusion.

Chapter 1: The Promise

Emma met James in the heart of spring, under the blooming cherry blossoms of Willow Creek. Their connection was immediate and profound. Emma, a believer in signs and fate, thought their meeting was written in the stars. They shared dreams, whispered secrets under the starlit sky, and made promises with the sincerity of those who believe in forever. Their love was like a sacred vow, a hand on the Bible, symbolizing an unbreakable bond. Emma's friends would often hear her recount, "The way he looks at me, it doesn't feel like we're moving too fast. It feels just right."

Chapter 2: The Doubt

But as autumn leaves began to fall, so did Emma's certainties. Small cracks appeared in their perfect façade. James, once attentive and doting, grew distant. Conversations that once flowed like a gentle stream turned into awkward silences. Emma found herself replaying their earlier days, questioning, "The way that it felt then, was it just an illusion?" Doubts crept into her mind, unsettling the foundations of their relationship.

Chapter 3: The Realization

During a particularly cold winter, the chorus of their love story took a somber turn. Emma realized that their relationship, much like Icarus's flight, soared too ambitiously towards the sun, only to be scorched by reality. One evening, while trying on a ring she had long envisioned as her engagement ring, the truth dawned on her. Staring at her reflection, the ring felt like a symbol of her naivety. "I just feel stupid, I tried a ring on," she whispered to herself, a tear tracing her cheek.

Chapter 4: The Dream and The Wake

In the depths of her heartbreak, Emma often drifted into a dreamlike state, imagining a different outcome. She envisioned the life they planned together—the white dress, the quaint chapel in Willow Creek, the sound of laughter and vows. But as spring returned, so did Emma's clarity. She realized that these were but echoes of a future not meant to be.

Chapter 5: The Closure

As the first blooms of spring appeared once again in Willow Creek, Emma found herself walking under the cherry blossoms where it all began. The chorus of her heart sang a familiar, yet distant tune of love and loss. She finally accepted that their story was a chapter closed, a lesson learned in the journey of life.

In the end, Emma's story, much like the song "I Tried a Ring On," became a tale of self-discovery and growth. It was a narrative woven from the threads of love, hope, disillusionment, and ultimately, the resilience of the human heart.

Exploring the Melodic Journey of Salme Dahlstrom: From Bedroom Studio to Music Licensing Royalty

 

Introduction

Salme Dahlstrom, a dynamic figure in the contemporary music scene, has earned the title of 'music licensing queen' from The Wall Street Journal. Her journey from a passionate musician to a prominent figure in music licensing is a story of resilience, innovation, and artistic evolution. This article delves into Dahlstrom's career, her musical influences, her creative process, and the impact of her work in the music industry.

Career Journey and Influences

Dahlstrom's musical journey echoes the experiences of many artists, beginning with songwriting, band formation, and live performances. The collapse of the major label system in the early 2000s became a turning point in her career. It led her to explore music licensing, culminating in the creation of “The Acid Cowgirl Audio Trade.” This album's eclectic mix of sounds and styles caught the attention of music licensing agents and catapulted her into success, with her tracks being featured in advertisements for major brands. Dahlstrom’s style, influenced by Swedish pop, 80s metal, and icons like Cher, combines diverse genres into a unique electronic pop sound.

Creative Process

Dahlstrom’s creative mantra revolves around the power of hooks. Her process involves creating multi-layered hooks with a blend of funkiness and unpredictability. As a self-sufficient artist, she handles most production aspects, from programming to mixing, which, while time-consuming, allows her full creative control over her work. This approach has led to the creation of catchy, commercially appealing tracks.

Success Stories

The success of Dahlstrom's track 'C’mon Y’All' is a testament to her ability to connect with a wide audience. Her music's inclusion in major ad campaigns and on the Billboard Dance Chart highlights the commercial and artistic appeal of her work. Dahlstrom’s experience in custom music production for clients presents unique challenges but also opportunities for creative interpretation and innovation.

Collaborations and Projects

Dahlstrom values collaboration, especially with vocalists, as it brings new dimensions to her music. Her project 'The Hit House Featuring Salme Dahlstrom' showcases this, featuring a diverse range of vocal talents. She acknowledges the unique challenges and rewards of working with children and animals, indicating a versatile approach to music production.

Personal Insights and Inspirations

Outside of music, Dahlstrom draws inspiration from her love for Cher and the New York Rangers hockey team. These passions influence her music and public persona, contributing to a fun, outgoing, and resilient image. Her belief in the fun-loving nature of blondes is reflected in her music's energetic and uplifting spirit.

Future Plans

With new music slated for 2024, Dahlstrom plans to continue evolving her style, integrating new sounds like the sitar into dance tracks. Her commitment to staying ahead of the curve in the constantly evolving music industry involves exploring new genres and technologies.

Latest Album "Fabulous"

Dahlstrom's latest album, 'Fabulous', has been well-received, marking her foray into electro swing with a dance floor vibe. This album reflects her artistic vision, blending swing-era sounds with modern electronic music. The album's standout track, 'Guilty As A Girl Can Be', resonates with listeners due to its catchy swing loop and fun melody, influenced by 80s pop icons.

Impact and Reception

The positive reception of 'Fabulous' and 'Guilty As A Girl Can Be' has influenced Dahlstrom's perspective on her music and career. She intends to delve deeper into electro-swing, capitalizing on its growing popularity. While no immediate plans for music videos exist, she is open to the idea and exploring touring options to promote her album.

Reflections and Future Directions

Reflecting on her journey, Dahlstrom emphasizes her commitment to trying new things and not being confined to a specific genre. Her future in music is open-ended, with plans to explore diverse styles and themes, driven by curiosity and a passion for innovation.

Conclusion

Salme Dahlstrom's journey in the music industry highlights the importance of adaptability, creativity, and resilience. From navigating the challenges of a changing industry to embracing the world of music licensing, her story is an inspiring example of artistic evolution and success.

Career Journey and Influences:

You've been dubbed the 'music licensing queen' by The Wall Street Journal. Could you share more about your journey in the music industry and how you developed your unique approach to music licensing?

I started out like lots of musicians do; I wrote songs, put together bands and played live, signed management and publishing deals, got shopped around to the record labels, signed a few record deals, recorded and toured. Then when the entire major label system collapsed in the early 2000s, I was left a little lost; I had put together a small studio in my apartment in The East Village in New York City and Indecided at that time to record some music just for me, letting go of trying to fit into a certain genre or format but instead doing whatever sounded good. I borrowed and stole ideas and sounds from all over the musical spectrum. The result was “The Acid Cowgirl Audio Trade”. I posted some songs on the internet; I think the sites that were popular at the time were mp3.com and Garageband and one day I got a call from a music licensing agent. He said my sound was a perfect fit for tv ads and movies etc. and there was money to be made here. At that time the only thing I knew about music licensing was big artists like Madonna doing Pepsi ads but I thought “What do I have to lose?” and so we started working together and shortly thereafter he had placed one of my songs in a tv show. And that was just the beginning. Soon enough ad agencies discovered my album and my songs landed in tv commercials for brands such as Suave, CoverGirl and Suzuki. Every song off of “The Acid Cowgirl…” got licensed and The Wall Street Journal took notice and crowned me Licensing Queen.

It was not how I thought my music career would develop but here I am 15+ years later still an artist making albums and licensing music and producing custom music for ad agencies and music libraries and making a good living at it. It’s a good life.

Who were your major musical influences growing up, and how have they shaped your style as the 'electronic pop goddess' you're known for today?

I grew up on Swedish pop, 80s metal, and Cher. Sweden is known for their strong pop sense and growing up there I was surrounded by great pop songs and songwriters.

Combine that with the stadium-sized sound and bombastic nature of 80s metal and you pretty much have my sound. The electronic aspect came later when I got into programming, playing with samples and beats. The Prodigy and Fatboy Slim were big electronic music influences for me. And then there’s Cher – I saw her on TV and thought she was coolness and star power personified. When I started developing my artist persona she was a strong influence along with Paul Stanley of KISS and Prince.

 

Creative Process:

Your music is known for being funky, hooky, and fun. Can you walk us through your creative process for composing a track that's both catchy and commercially appealing?"

You can never have too many hooks in a song, that’s my motto. It comes naturally to me going back to growing up in Sweden where you’d find hooky melodies in every song regardless of genre. When I produce a song I am thinking hooks all the way, all the instruments working together with the vocals to create multiple hooks throughout the song. In addition, I like music that is funky, a little unpredictable and fun to listen to. So that’s what I aim for with every song that I make. Sometimes I make a track first and then write the melody and lyrics, other times I’ll have written the hook or some piece of the song and I build a track around that. It all depends. I always set out to write not just a song but a hit. It takes the same amount of time so why not aim for the big one every time.

You mentioned loving the control that comes from being self-contained in your music production. How does playing multiple roles (producer, instrumentalist, singer, etc.) impact your creative process?

It makes it a very slow process   – Doing most everything myself - I program, play most of the instruments, sing, write, produce and mix my tracks – it is time-consuming but I love when it all comes together and I am sitting with the final mix. It’s very fulfilling to know “I made that!”.

Success Stories:

Your track 'C’mon Y’All' not only climbed the Billboard Dance Chart but also featured in major ad campaigns. What was it like seeing your music gain such widespread recognition?

It was a wild ride, it’s a high you want to achieve over and over again. It gave me confirmation that the music I was dreaming up in my bedroom studio in NYC was good and that people could relate and connect to it. It’s an absolutely awesome feeling to know that a kid in Ohio or Tokyo or London is listening to my song and feeling it. And the “C’mon Y’All” ride is far from over, just the other day I got another request to license it for an ad campaign.

Can you share a memorable story from working on a particularly successful or challenging music licensing deal?

The most challenging jobs are doing custom work. My job then is to create something very specific that the client (usually ad agencies) wants and not necessarily what I think works best or what I like. They hired me because they like my sound and style but there’s plenty of room for different likes and opinions and that can at times get challenging. How do you interpret “We’d like it more lemony”  .

 

A fun project I worked on was the remake of the famous (or for some people infamous) “Wanta Fanta” song. A few years ago Fanta was launching a mango-flavored Fanta and wanted me to re-imagine the original track with modified lyrics to feature the new product. I worked with my friend and pop singer extraordinaire Amber Skyes on the project. Emersing ourselves completely in “The Fantanas” wild girls image we killed it. The ad ran for a few years and “The Fantanas” were once again alive and kicking ass.

Collaborations and Projects:

Your release, 'The Hit House Featuring Salme Dahlstrom,' involves collaborations with several vocalists. How do you choose collaborators, and what do you look for in a collaborative partner?

I love it whenever I get the chance to collaborate with other musicians especially vocalists. The vocals are such an important part of any production and every voice is unique. So having the opportunity to work with vocalists who sound vastly different from me adds a dimension to my music I couldn’t otherwise create. Anyone who can bring something to the table that I can’t do myself I love collaborating with. They have to be great at it of course, that goes without saying. In regards to The Hit House release that was something me and the label discussed and agreed upon early in the process, we both wanted a lot of different voices on the album. That album features gospel, r’n b, pop and rap vocals as well as kids.

You've worked with children and animals for your recent project. What unique challenges and rewards came from these experiences?

Let's just say I am not gunning to do it again anytime soon

Personal Insights and Inspirations:

You've mentioned your love for #cher and #nyrangers hockey. How do these passions outside of music influence your work?

I use Cher as a reminder that I can do whatever I want at whatever age. Hockey and specifically watching The Rangers play brings me enormous joy. It’s a magic pill to keep me centered and happy. The fighting and sight if blood is just a bonus.

As someone who believes 'blondes have more fun,' how do you incorporate your personal ethos into your music and public persona?

Part of me is very fun and outgoing and loves socializing so it comes naturally to me to incorporate that into my music and by extension my public persona. The bands that I grew up listening to (i.e. KISS) had that positive vibe to their songs. Their music was an escape from the day to day, a fantasy world where you had fun, you were a winner and your persona was larger than life.

 

 

Future Plans:

With new music coming in 2024, what can your fans expect in terms of evolution in your music style or any new ventures you're exploring?

I say “always stay curious”; listen to new music, explore new audio plugins, new genres or really just music you haven’t listened to before. The other day I came a cross an artist on the internet who played sitar to dance tracks and I loved the combo. Now I’m exploring incorporating that sound into a few tracks on the new album. The new album is a little heavier at times than my previous ones, musically heavier. Lyric wise it’s more personal. So far I am very happy with what I’ve written.

About the Latest Album "Fabulous":

Your latest album 'Fabulous' has been making waves. What inspired the title, and how does this album reflect your current artistic vision?

I have always loved electro-swing, the mix of the swing era sounds with modern electronic just has it all in my book – it’s sexy, tongue in cheek, and uplifting with a great pop feel on top of a driving dance beat. “Fabulous” is the title of one of the songs on the album. Honestly, the title was the record label’s idea. I wanted to call it  ”Saints and Swingers”, maybe next time…

In creating 'Fabulous,' were there any new musical styles or techniques you experimented with that differed from your previous work?

Producing “Fabulous” was the first time I did electro-swing with that straight forward dance floor vibe. My earlier electro-swing productions had more of a funky break beat feel to them. So this was something new for me. I played a lot with the FX plugin in Logic X to get that DJ filter efx as well as the chopped up/repeater vocal efx to compliment the dance club production.

The success of 'Guilty As A Girl Can Be':

Your song 'Guilty As A Girl Can Be' has become the most listened-to track from your repertoire. What do you think resonates most with listeners in this song?

Could you discuss the creative process and inspiration behind 'Guilty As A Girl Can Be'? 

Given the success of 'Guilty As A Girl Can Be,' how do you feel it represents you as an artist and your evolution in the music industry?

I’m gonna bundle these questions into one answer as “Guilty As A Girl Can Be” is my favorite song off of “Fabulous”. First off I think the track came out really solid – it’s got that catchy swing loop and when you add the fun melody on top of it it just pops. I had been listening to Bananarama and 80s Madonna right before I started working on “Guilty…” and you can hear some of those influences throughout the track and the writing. The ”wow” scream is me emulating the “wow” in “Venus” and the lyrics and delivery has the carefree, fun swagger of 80’s pop. I got the idea for the piano solo from Madonna’s live shows from the 80’, her live version of “Get Into The Groove” has an added funky piano solo and I always thought that was spectacular.

I am thrilled that “Guilty…” has gotten the amount of airplay and streams it has, it has made radio playlists all over the world and I wouldn’t be surprised if we heard it in some tv ads in the near future. I am super proud of that song and I think it represents my image very well with its positive, catchy fun attitude while showing diversity sound wise.

Impact and Reception:

Are there any surprising reactions or feedback from fans regarding the album or the song that stood out to you?

The feedback to the “Fabulous” album has been overwhelmingly positive from both critics and fans. I think fans can appreciate that it’s something new but still sounds like me, just with a twist. I found that electro swing has a huge following and those fans are truly passionate about the genre. I definitely want to produce more electro swing. I have a concept already lined up.

 

Future Performances and Promotions:

Do you have any plans for touring or live performances to promote 'Fabulous'?

I’d definitely love to and I am looking into it. Maybe do a tour of those old-time theaters or burlesque theaters to take that Swing era vibe all the way. Hopefully we can make it happen, I’ll keep you posted.

With the acclaim of 'Guilty As A Girl Can Be,' can fans expect any music videos or special performances of this track?

No video plans as of right now but you never know. It’s a great idea…

 

Reflections and Future Directions:

Looking back at your journey up to 'Fabulous,' how do you feel your music has evolved over the years?

I have always tried to try new things with each album and to avoid getting stuck in my genre, whatever that is. Some hits and some misses but it’s a way to keep it interesting for me as well as my audience to not expect the same album over and over again. I am working on a new album right now and I have dug into some really diverse stuff, from 90’s drum and bass to sitar music and more.

What direction do you see your music taking in the future, and are there any new themes or styles you're eager to explore?

I am going to stay curious and open-minded and let the music take me wherever it decides to go. Thanks to everybody who’s been listening and buying my music all these years. Let’s keep the party going!  

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Exploring the Musical Journey of Alexandra Kay: A Rising Star in Country Music: Independent of Major Record Labels

Photo: Courtesy-of-Daniel-Shippey

Alexandra Kay, a rapidly rising star in the music industry, has recently launched her debut album titled "All I've Ever Known." This album, comprising 11 tracks, is a vivid showcase of her extraordinary talent and emotional depth. Each song was co-written by Alexandra, and the album was produced by Andrew Capra, Andrew Baylis, and Jason Massey. The album represents a labor of love and provides a therapeutic musical experience with its powerful lyrics and captivating melodies​​.

One of the standout tracks, "She Stayed," deeply resonated with her fans. This song, an ode to Alexandra’s best friend Lindsey, celebrates the enduring power of female friendship and resilience amidst life's challenges​​. The album's track list includes songs like "Painted Him Perfect," "Everleave," and "I Hate Airplanes," showcasing a range of themes and emotions​​.

Painted Him Perfect Lyric Review

The lyrics convey a deeply emotional and introspective narrative. The song appears to be about the struggles and disillusionment in a romantic relationship. Alexandra reflects on their efforts to maintain an idealized image of their partner, symbolized through metaphors like "painting pink skies at sunrise to cover all the blue," indicating an attempt to hide the negative aspects and present a perfect picture to the world.

Throughout the song, the lyrics paint a picture of effort and sacrifice. Alexandra talks about enduring long drives, attending couples therapy, and publicly praising her partner, despite the personal challenges they face. This is contrasted with the partner's discomfort with attention, suggesting a disconnect in their needs and expectations. A key motif in the song is the imagery of "painting pink skies at sunrise to cover all the blue," symbolizing Alexandra's efforts to mask the sadness and troubles in the relationship with a facade of happiness and perfection. This metaphor is extended with references to "shaking ground and storm clouds," indicating underlying turmoil.

The song also touches on family pressures and societal expectations, as seen in the reference to her father's disapproval of divorce. The mention of a specific memory, a significant event on August 14th in Atlantic City, adds a personal and vivid dimension to the narrative. The chorus and bridge emphasize the theme of denial and self-deception in love. Alexandra admits to making excuses and painting an idealized image of her partner, despite recognizing the relationship's flaws. The color metaphor in the bridge — "I was yellow, he was green, and all we ever made was blue" — poignantly illustrates their incompatibility and the resultant sadness. Towards the end, the lyrics shift to a realization and acceptance of the truth. Alexandra acknowledges that love should not require such immense effort to disguise its true nature. The repeated lines "I painted him perfect" reflect a sense of regret and realization that her attempts to idealize the partner were misguided. Overall, the song is a powerful narrative about the complexities of love, the pressures to maintain appearances, and the emotional journey towards honesty and self-acceptance.

 

To commemorate the release of her album, Alexandra embarked on a headlining tour across the U.S., starting in Louisville, KY. This tour, also named "All I've Ever Known," featured special guests Jordana Bryant and Haley Mae Campbell. Alexandra's journey in music has been marked by significant milestones, including her Backroad Therapy Tour 2, which saw her selling over 10,000 tickets in Canada and the U.S. Her online presence is notable, with millions of followers and views on platforms like TikTok and YouTube. Additionally, she has performed on international stages, such as C2C in London and a sold-out show in Manchester​​.

Alexandra Kay, a talented country singer and songwriter, has been making waves in the music industry with her soulful voice and heartfelt lyrics. Born and raised with a passion for country music, she has carved a niche for herself in a genre known for its storytelling and emotional depth.

From a young age, Alexandra showed a keen interest in music. Her family recounts her singing before she could even talk properly. Growing up, she was influenced by the likes of Dolly Parton, Johnny Cash, and Patsy Cline, whose music played constantly in her household. This exposure to classic country music laid the foundation for her future career.

Despite her small-town roots, Alexandra's ambitions were anything but small. She actively participated in local talent shows and community theater, honing her skills as a singer and performer. Her voice, described as both powerful and emotive, soon became a local sensation.

The turning point in Kay's career came when she started posting her music on social media platforms. Her covers of famous country songs, infused with her unique style and flair, quickly went viral, garnering her a significant online following. This exposure opened up new opportunities for her, including collaborations with established artists and invitations to perform at well-known venues.

Alexandra's music style is a refreshing blend of traditional country with a modern twist. Her songs often deal with themes of love, heartbreak, and resilience, resonating deeply with her audience. Her ability to convey emotion through her music is one of her most praised attributes.

In addition to her music career, Alexandra is known for her philanthropic efforts. She often uses her platform to raise awareness and funds for various causes, including mental health awareness and support for underprivileged children.

As she continues to rise in the music industry, Alexandra Kay remains grounded and true to her roots. Her journey is a testament to the power of hard work, talent, and staying true to oneself. With a growing fanbase and a catalog of heartfelt songs, Alexandra Kay is a name to watch in the country music world.

She continues to captivate audiences worldwide with her undeniable talent and the genuine connection she fosters with her fans. Her debut album and the ongoing tour are clear testaments to her musical prowess and her rising status in the music industry​​.

Early Life and Musical Roots

Hailing from Waterloo, Illinois, Alexandra Kay's journey into the world of country music began at an early age. Influenced by the sounds of classic country legends and contemporary artists, she discovered her love for storytelling through music. This passion led her to pursue a career in the industry, and her determination and talent quickly caught the attention of both fans and industry professionals.

Rise to Stardom

Kay's breakthrough moment came with the release of her debut album titled All I've Ever Known, which showcases her unique blend of traditional and modern country sounds. The sincerity in her vocals and the relatable nature of her lyrics struck a chord with listeners, fostering an increasingly devoted fan following.

Notable Releases

Alexandra Kay's discography boasts a collection of memorable songs, each contributing to her growing reputation as a formidable force in country music. Some of her notable releases appear on the playlist below:

Touring Experience

Alexandra Kay forges a strong bond with her fans through sold-out live performances across the USA, UK, and beyond. Her extensive touring history underscores the commitment she has to her art, showcasing unparalleled independence in the industry.

Everleave Lyric Review

The lyrics are quite emotive and tell a story of someone struggling in a relationship where they feel unappreciated and unseen. The narrator describes their daily routine of making coffee, packing lunch, and washing dishes, all while feeling neglected and taken for granted by their partner. They express a deep sense of loneliness and emotional turmoil, wondering if their expectations for love are unrealistic.

Throughout the song, there's a recurring theme of self-sacrifice and the dilemma of whether to stay in the relationship for the sake of their partner's happiness, despite feeling empty and unfulfilled. The narrator reflects on how they've continuously poured from an empty cup, trying to make the relationship work, but realizing that it's taking a toll on their well-being.

As the song progresses, the narrator begins to acknowledge their own needs and the importance of self-care. They come to the realization that staying in a relationship where they are not valued or respected is not sustainable. The final verses suggest a shift in the narrator's mindset, where they decide to prioritize their own happiness and well-being, even if it means leaving the relationship.

The lyrics are powerful in conveying the emotional journey of someone coming to terms with the need to end a relationship that is no longer serving them, emphasizing themes of self-realization, empowerment, and the courage to make difficult decisions for one's own mental and emotional health.

Echoes of a Silent Heart: Emma's Journey to Self-Discovery

Fictional Lyric Story from these lyrics 

Created by Indie Mastered

Copyright Alexandra Kay 2024

Once upon a time in a small, sleepy town, there lived a kind-hearted soul named Emma. Each morning, as the sun peeked over the horizon, Emma would rise with a sense of purpose, albeit tinged with unspoken yearnings. Her days began with a ritual as constant as the dawn: making coffee with meticulous care and packing a lunch filled with love's quiet testament. Yet, in the symphony of clinking cups and humming kettles, a melody of longing played softly. "Good morning, beautiful," were the words she yearned to hear, a simple chorus that never graced her ears.

Emma, in her gentle heart, harbored a fairytale dream of love, a dream where affection and gratitude danced in harmonious balance. But as days melted into years, she began to question this dream. Was it but a delusion, a fanciful mirage in the desert of reality?

Inside her, a storm was brewing, a tempest of thoughts and emotions. Her mind raced like the wind, her heart pounded like thunder, yet on the surface, she was as still as the eye of a hurricane. Each day, she stood at a crossroads, a path of departure always whispering her name. "Is today the day I walk away?" she would wonder. Yet, a part of her was willing to endure the pain, to dwell in the shadows of neglect if it meant a sliver of happiness for the one she loved.

Emma believed in the ebb and flow of life, in the possibility of bright tomorrows following gloomy todays. She held onto the hope that their love could bloom once more, that the cup of her heart, now so achingly empty, could be filled again. But night after night, as she turned her back to the moon's empathetic gaze, trying to find solace in sleep, a creeping realization dawned upon her. Change was not on the horizon, and her spirit was fracturing under the weight of unreciprocated love.

In the quiet battleground of their kitchen, where meals were shared but not moments, Emma stood washing the dinner plates. The suds in the sink whispered of dreams unfulfilled, of a decade that trickled down the drain with the water. Her partner, oblivious to the storm within her, never inquired about her day, never saw the silent cries of her heart.

But then, a shift occurred. Emma, who had always left the lights on, a beacon of hope in the darkness, turned them off. She realized that her presence, her pleas, her pain, were like the flickering of a forgotten candle in the vastness of night. It was time for her to step into the light, to acknowledge that she was not wrong for wanting more, for desiring to be seen, to be heard, to be loved.

As she reflected on her journey, from the hopeful 21-year-old to the wiser 31-year-old, she understood that growth sometimes meant growing apart. Her younger self and her current self sought different treasures in the chest of life. The pain she was willing to endure, the sacrifices she was prepared to make, had reached their end.

In the end, Emma found the strength to break the chains of her own making. She allowed herself to believe that leaving was not just a possibility, but a necessity. And as she stepped out of the shadows of her once-beloved home, she didn't glance back. For the first time in a long time, Emma felt the weight lifting from her shoulders. She had finally learned the hardest lesson of all: to love oneself is the first step towards true happiness.

And so, under the canopy of a starlit sky, Emma walked away, her heart heavy yet hopeful. She knew that the road ahead was uncertain, but for the first time, it was hers to travel. The end of one story marked the beginning of another, a tale not of a love lost, but of a self rediscovered.

Right Now from Twitter

Alexandra: Dec 3 2023: Crowd from last night, as a completely independent female artist in country music.

You're experiencing the dream, and I couldn't be prouder! 

Being a completely independent female artist in country music has its challenges, but moments like last night make it all worthwhile. The connection with the audience, the shared love for music, and the sense of empowerment are unforgettable. 

 

Crowd from last night, as a completely independent female artist in country music 🤎 pic.twitter.com/Y3OmSxLSTO

— Alexandra Kay (@_alexandrakay) December 3, 2023

Alexandra: Dec 4 2023:  Last year on December 4th I played the small room at Houston House Of Blues sold out to 300 people. I remember walking through the BIG room that day thinking WOW, I can’t imagine this many people coming to see ME. Well EXACTLY one year later (2023) we headlined the 1200 capacity room at Houston HOB on a Sunday.. and y’all packed it out. It was a very emotional night for me.. and one I will never ever forget. THANK YOU for making what seems impossible.. possible for me!

Wow, what an incredible journey in just one year! It's truly inspiring to see how your hard work and talent have taken you from a sold-out small room to headlining a much larger venue. Your reflection on that transformative day a year ago, and the overwhelming support from your fans, is a testament to the amazing connection you've built with your audience. Congratulations on reaching such a significant milestone, and here's to many more unforgettable moments in your musical journey!

 

Last year on December 4th I played the small room at Houston House Of Blues sold out to 300 people. I remember walking through the BIG room that day thinking WOW, I can’t imagine this many people coming to see ME. Well EXACTLY one year later we headlined the 1200 capacity room at… pic.twitter.com/Gd9sjlnyoO

— Alexandra Kay (@_alexandrakay) December 5, 2023